I think that Griffith would initially react closer to situation number two but once he acknowledges he’s sick he becomes a 19th century heroine with consumption. Also Guts is really cute when he’s sick and is like a good natured toddler.
cutting this for kind of graphic descriptions of sexual assault
I’d argue he didn’t even black out, he was clearly aware when he forcibly kissed her after pointedly noticing she’d been assaulted (we get a closeup from Guts’ perspective of blood dripping from her vag, ffs), we get like literally five whole pages of sexual assault depicted completely without any kind of possession or beast-y imagery, and the subsequent beast of darkness imagery in Guts’ mind that we see after that isn’t indicative of “possession,” it’s an illustration of what’s going on in his subconscious – his own inner darkness gaining strength.
Like it happens in broad daylight for a reason, in contrast to the chapter earlier when he strangled her while actually briefly possessed during a night-time ghost fight, and that reason is so that the readers can’t absolve Guts of blame. There’s nothing but Guts in this scene.
And anyway, at the end of the day the whole point of the Beast of Darkness is to show that Guts’ inner darkness is no better than Griffith’s. According to Berserk practically every dude has an evil rapist lurking in their subconscious, it’s not a great nuanced examination of male entitlement or anything lol, it’s just using rape as a lazy shorthand for inner darkness.
Like imo the only valid reaction to have to this dumb story is to recognize the misogyny on the part of the author, and honestly both excusing Guts and reacting with ott hatred towards Griffith is the exact opposite of that. Like I can’t blame anyone for hating Griffith, everyone’s entitled to their emotional reactions to a rape scene, especially one as offensively depicted as the Eclipse rape, but when that’s your reaction instead of recognizing the author’s horrendous writing, or while praising the author’s writing because he made you feel that angry, that’s an issue, yk?
And people blaming Griffith/Femto for Casca’s character being destroyed, for Casca’s gratuitious and sexualized victimization, etc, lets Miura off the hook. Like, Femto is ink on paper, Miura is the one with actual agency who chose to write Casca out of the story in the most misogynist way possible for the sake of making his protagonist feel bad.
tl;dr berserk is an offensive story about two dudes who both have rapist alter-egos, we all gotta acknowledge that.
ok modern au style because i can’t imagine either of them fussing over the other over a cold as mercenaries in the middle ages lol
griffith goes full doting husband, makes chicken soup, buys three kinds of cold medicine and the extra soft kleenex, and actively tries to catch his cold thru cuddling and making out so guts can either reciprocate or he can have a minor crisis over loving guts more than guts loves him.
guts has learned to dote on griffith too tho it’s not his first instinct, and he does it while rolling his eyes and calling him a giant baby. griffith doesn’t care if he makes him soup and tucks him into bed sardonically as long as he demonstrates that he’s willing to shower him with attention.
it eventually becomes a thing they can joke about.
OR
griffith refuses to acknowledge that he’s sick, and probably works even harder doing whatever modern au griffith does just to prove he can, and guts is like, here I made you chicken noodle soup, eat it, while griffith is like, i told you i’m not sick, and guts is like, eat it anyway, and griffith does while feeling very warm and fuzzy inside.
(this griffith would still drop everything and lavish guts with attention when he’s sick.)
depending on which aspects of griffith’s personality are more prominent in a hypothetical modern au lol.
lmao this is very timely because last night i re-read those chapters and it just kind of hit me how completely and utterly fucking weird it is for ngriff to be personally out there leading a giant-killing army
like
it’s baffling
he
has a huge army of monsters and humans with perfectly competent leaders
among them. he no longer has to prove himself with fancy heroics,
considering he’s now the saviour of the world. he’s in charge of an
enormous city-state, which must keep him fairly busy.
why is he out leading an army from the
front to kill a random group of fantasy monsters? why is he the one
leaping off a horse off a staircase-dragon so he can stab the giant leader in the
eye? he has flying monsters on his side! grunbeld breathes fire!
like
either miura is really letting himself go, ignoring all logic just so
he can draw griffith doing mildly cool fight-y shit, or this has to be
like, a thing. like griffith is avoiding charlotte, or he’s incredibly
bored, or restless, or there is a real plot related reason for this fight and for griffith being there personally.
but idk it has the feeling of being routine to me, and it feels mostly like place setting for the state of the current world/what griffith and co are doing now. I hope there’s a good reason for this scene but idk what it could be.
(sonia mentioned that there’s something dark lurking to beware of or w/e, but then the next chapter started with that hydra so it seems that might’ve been what she was referring to? idk it all feels very pointless so far.)
Oh man, I love those moments so much, they’re absolutely heartwrenching to me.
And yeah it kind of helps hammer home the contrast after Griffith makes the sacrifice, by reminding us that Griffith was the kind of guy who would grab a sword and run to fight a monster to help the people he cares about, who still tried to even when it was completely impossible.
It’s such a good touch for the lead-up to the eclipse imo.
i’ve been thinking a lot about griffith in place of guts during the whole black swordsman thing, how the beast of darkness is guts’ inner darkness while femto is griffith’s, and how femto would manifest if griffith never made a sacrifice but instead got a heap of eclipse trauma piled on him and then got magic armour
and i just really like the idea of the contrast to guts’ black swordsman thing. like where guts ran hot and angry and vocally bitter as fuck and his modus operandi while all armoured up is to kill everything in sight, griffith would get extremely cold and distant, and he wouldn’t be about raw power but precision. he would maybe be polite, or at least not actively antagonistic towards everyone, unlike guts’ rude asshole style, but like, unreachable.
yk if guts’ rage is hellfire, griffith’s is ice.
also while in armour he’d seem to be nearly untouchable, able to avoid strikes without even looking like he has to dodge, a la neogriffith but without the help of fate. if armour guts is all just attack everything with everything u have, armour griffith is more like the terminator with instant cold analysis.
i could see him and guts matching styles tho when it comes to black swordsman stuff like guts’ ultra cynical “if you’re afraid of crushing the ants beneath you you won’t be able to walk” and the weaklings might as well die anyway attitude, that kind of thing. griffith being a walking curse w/ the brand would completely fuck him up and i could easily see his reaction to that being to lean as hard as he can in the opposite direction.
also black swordsman era femto’s hilarious pettiness should be seen sometimes too.
man i just love inner darkness shit in fiction, it’s such a tragedy that berserk had to go as edgy and misogynist with it as possible, for both characters. anyway imo the idea of griffith edging towards femto while fucked up from someone else’s eclipse is cool and fun af once you ignore the canon baggage.
someday i should learn how to use like, an image… editing program thing so i can make aesthetic collections of similar panels instead of like, haphazard ones
ok here’s the main reason i’d lay down money that casca is going to not just open the behelit but also become an apostle:
it’s a quick and easy way for miura to avoid either offensively downplaying casca’s extreme sanity-destroying trauma or spending the time and effort realistically depicting her trauma and recovery well.
apostle casca both gives her trauma an important plot-related reason for existing and also neatly underscores the extremity of it while bypassing an actual grounded and believable depiction.
ok calling them dumb was rude but some interpretations just don‘t make any sense to me
lol dumb is not rude enough when it comes to some shit berserk fans say, eg donovan jokes like that, which i’ve also seen, among so much other incredibly tasteless and offensive shit.
but yeah as for just like, those basic misunderstandings of the story, idk how they do it lol. i mean sure berserk can be layered and complicated, but it’s really not subtle about most of this stuff, like the beast of darkness being guts’ inner darkness equivalent to femto, like griffith being in love with guts, like human griffith being deliberately and overtly written as very sympathetic and nowhere near emotionless/sociopathic/evil/however else ppl describe him, etc.
idk man it’s like most berserk fans want it to be a boring one dimensional story about good vs evil i guess. i s2g some people don’t want any more complexity than “ooh griffith is pretty but also evil, and guts wears black but is the hero! what incredible nuance! what an interesting and deep story!”
i mean i guess to be fair the scene w/ casca and griffith in the wagon confuses everyone, and if you add that to the (absolutely nightmarish) dream sequence i could… maybe kinda sorta see how some people come away not knowing what else to think if they’re the kind of person who defaults to man+woman=attraction lol.
But I mean come on even if you can’t make sense of some of it it’s so clearly about Griffith’s helplessness and powerlessness. Like, the nightmare of living with Casca while Guts is off doing his thing is his worst case scenario and he tries to kill himself right after! How do you read that and think, ah yes clearly Casca is the person Griffith wants.
I mean I’d say a solid potential throughline from Griffith and Casca in the wagon to that nightmare is Griffith grasping at straws for some kind of life, since he’s dependant now and has no choice but to rely on someone else to take care of him (which Wyald helpfully made absolutely clear a chapter earlier), and then realizing that he’d rather kill himself than live that life if Guts is absent from it.
I mean there are romantic feelings there, but they sure aren’t directed at Casca.
Huh, I’ve never rly seen that opinion tbh, maybe we hang out in different parts of fandom. Well, I’ve seen a few people expressing worry that Casca might forgive Griffith, but honestly if Miura writes that I will like, personally fly across the ocean to salt his garden. And I definitely don’t think it’s likely.
As for Guts… hm I’m just going to go all out and explain my take on Guts’ reaction to NGriff bc you gave me an opening lol.
I don’t think forgiveness for the Eclipse rape is on the table. But I definitely think his feelings towards NeoGriffith are very complex and he’s absolutely emotionally conflicted towards him, not just surprised by his appearance.
But yeah I don’t think his emotional conflict stems from wanting to forgive Griffith. What he wants is for Griffith to be or contain the version of himself that like, doesn’t require forgiving, because the only thing human Griffith did that hurt Guts was sacrifice the Band – and Guts never seemed to really blame him for that anyway.
Like when we’re talking about a dude who has undergone two (2) magical transformations and basically exists as three versions of himself, each with apparently very different internal emotional lives, it’s hard not to be conflicted about him.
Guts differentiates between human Griffith and Femto, and Guts does not hate human Griffith. We never ever not once see Guts direct an iota of rage towards Griffith as a human. Not even during the Eclipse, after he sacrificed everyone.
Very consistently, every time Guts thinks about human Griffith it’s with regret, sadness, a sense of loss. He regretfully thinks about Griffith kneeling in the snow like a million times, and never expresses anger about how Griffith sacrificed everyone and turned into an evil demon a year later. He thinks about Griffith among the dead Hawks during his run through memory lane, right after the Eclipse, and cries. Griffith is the most prominent shining light Schierke sees in his subconscious. Griffith is a part of the “campfire from those days” that still burns in his chest, and prevents him from being fully consumed by hate. etc etc.
He thinks about demonic-looking Femto when he’s feeling rage and hate, never human Griffith.
And I’m going to suggest that there are three main, related reasons that Guts feels emotional conflict in regards to NeoGriffith.
One is that it’s another change. Guts doesn’t know what exactly to expect from this third version of Griffith, who looks human again rather than demonic. He knows that he’s not “his” Griffith, because Skull Knight told him the fifth Godhand would incarnate, because he flew away from the Tower of Conviction on Zodd, and because the brand bleeds around him, but there’s a reason Guts rather desperately searches for a hint that NeoGriffith has regrets or feels remorse. Deep down he’s hoping that he’s closer to human Griffith than to Femto, basically, or that more of human Griffith is in there and reachable, or however you want to phrase it.
He lets Rickert hold him back from attacking until NeoGriffith directly says he’s free from his emotions, and then doesn’t actually try to strike until NGriff reiterates that sentiment with “I’ll not betray my dream. That is all.”
If NeoGriffith had feelings, if he felt regret, if he was no longer a malevolent demon, then Femto could be considered an anomaly that would carry sole blame for the Eclipse rape. Like, when we’re talking magical transformations that affect your mind as well as your body, the concept of blame is kind of nebulous. If NeoGriffith basically had all of human Griffith’s emotions and was horrified by his actions as Femto, and wanted to regain his relationship with Guts, then tbqh Guts would probably be able to go “oh well it wasn’t really you anyway.”
Yk, kinda like a Berserk fan who doesn’t consider Guts to be responsible for “the beast of darkness” assaulting Casca, but with the handy addition of a literal transformation. You can argue fictional moral philosophy wrt the morality of magically transforming into a monster and back again lol, but I definitely think Guts would seize the opportunity to write Femto off.
So, to split hairs, it’s less about potentially forgiving him, and more about potentially not holding him responsible. But yk, unfortunately for Guts NGriff turns out to be an apparently emotionless asshole who still won’t give him the time of day and says straight up that he regrets nothing, so that’s not an option for him.
The second reason is that, well, he looks like the dude that Guts felt such ridiculously intense feelings for that he rearranged his entire life and abandoned the people he considered his family just to feel like he was worthy of being his friend.
It’s a whole lot easier to feel rage against an aspect of someone you’re p much in love with when they look like a bona fide monster, rather than exactly like the person you love. You’ll even notice that, except in moments that emphasize the potential Guts has of following in his footsteps, Griffith’s face tends to be obscured or completely nonexistent when Guts thinks about Femto.
And the third reason is that he was already very emotionally conflicted over Femto. Femto raping Casca did not make him retroactively hate human Griffith, but his love for the man Griffith once was absolutely complicates his feelings with regards to Femto.
We see this in the way becoming a rage-fueled monster is framed as a temptation because he still wants to be his friend and equal, as per Griffith’s Promrose speech.
It’s also there in how Guts blatantly wants his attention and regard after everything.
He “threw away” Griffith’s love, so if he can’t have that then he wants Femto’s hate. He wants to be seen and acknowledged, even as a threat, so when Femto says that Guts doesn’t even register to him as an enemy, it pisses him off so much it gives him the strength to climb a flight of stairs with like half his bones broken and potentially-fatal pain in his brand, and swing his giant sword at him.
And we see it when he still thinks of him as a shining light in the darkness, despite everything.
Basically, on some emotional, irrational level, he still wants this:
Like, to reiterate, imo Guts’ emotional conflict isn’t about whether he can forgive Femto/NeoGriffith. It’s about the fact that Femto and NeoGriffith are both aspects of a dude that Guts had incredibly intense feelings for. They are distinct from Griffith but also inseparable from him, and that’s really, really hard to reconcile emotionally.
Hence, eg, a bunch of this maudlin shit:
Idk basically no I don’t think Guts is going to forgive NeoGriffith, but I do think that he is still very conflicted about him. He wants to want to kill him lol, but just as much, he wants to be seen by him, he wants his attention, he wants his love, he wants to be his equal, and he also wants to completely move on and just forget all his painfully fucked up and conflicting feelings towards him.
And I guess time will tell whether he achieves any of that.
i only care about griffiths mother tbh lol but alovelyburn has a good fic on a03 that details parts of Griffiths childhood/mother that i like as personal canon
i need to read the rest of her fic tbh, i think i’ve only read the painted stage
oh damn the official translation went with “extraordinary obsession” over “uncommon tenacity” when locus is telling rickert about how apostles come into existence.
uncommon tenacity was better.
like i can’t believe every single apostle is obsessed with something specific
but the thing they have in common is a willingness to sacrifice something/one incredibly important to them in exchange for a continued/better existence
the first time we see a behelit open was the count not wanting to die, in a pretty strong parallel to guts’ refusal to die imho
(idk mb i should stop clinging to black swordsman stuff)
oh damn the official translation went with “extraordinary obsession” over “uncommon tenacity” when locus is telling rickert about how apostles come into existence.
@bthump lol, dont worry back then being the illegitament child makes you an outsider. Very much like Jon Snow from Game Of Thrones, since he was a bastard he had no rights or titles to any. The same for King Roberts 100 bastards who were all poor. But yeah Idk I kinda like the idea of his birth being a ‘scandalous’ thing but that’s just me. Him being 100% commoner is equally as interesting. I just wish we got a little bit more details about his past in canon
yeah true. that’s kind of the handy thing about Griffith’s past being such a blank slate at least, you can kind of go with whatever you want. it’d be nice to know more in canon but it’s nice to have the space to make stuff up too lol.
What if his father was an aristocrat? Since his mother could’ve been a prostitute its very likely that some of her customers would be men of noble status.
oh yeah I mean it’s totally possible, there’s no details of canon that contradict it, but just personally I prefer thinking of Griffith as 100% a commoner bc I feel like, part of the point of his narrative is that he’s a total outsider breaking into this private club (royalty/nobility) through sheer force of will for the sake of fucking it up and changing the rules, and I love that, and if secretly it’s actually his birthright it kind of ruins it for me, just on a thematic level.
i mean that’s kind of a silly distinction i guess because yk, griffith was chosen by god and all lol, destiny is definitely a major part of the narrative of berserk, but just taking the class themes on their own i still prefer griffith’s narrative as an upstarter rather than as like, a lost scion, kinda thing.
(also like, obviously as a headcanon and especially as just a random fact that no one, not even griffith, even knows, it doesn’t actually make a single iota of an actual difference, except to me lol, bc this is just how I like… do media. basically i’m just being weird and nitpicky, not saying this is a universal thing or something anyone w/ this headcanon or using it for fic or w/e should even bother to take my thoughts on the themes of griffith’s narrative into consideration lol.
plus i mean that’s not getting into the way his ascention to royalty isn’t portrayed as wholly positive in the canon, to say the least lmfao, so theoretically you could say griffith being julius’ secret kid or smthn is actually symbolic of him becoming the thing he wants to overturn, but like… idc. team falconia. i don’t think that’s actually the point of griffith’s narrative despite what a giant mess it is at times.)
this moment gets upstaged coming 2 pages before Guts’ “I’d forgotten my urge to kill” monologue but man, it’s still worth basking in just by itself.
I think Griffith’s story works best imo if he’s completely common, so I’d say his parents were nobody important. Can’t rly judge nobility vs commoners by looks anyway, inbreeding notwithstanding lol.
I guess technically the in story reason he’s so beautiful is because he needed to be to fulfill his destiny – he incarnates as humanity’s “desired” after all and has to look the part, plus yk it’s a big factor in almost all of the shit that fucked him up to the point of making the sacrifice, from Gennon and the torturer obsessing over him to being seen more as a symbol than a person to being a huge asset in his ability to rise up the ladder of nobility – so god made sure his genetics were exactly right for looks as well as personality or w/e.
I generally hc that both his parents died when he was young, or maybe he just never knew his father, and I tend to just go with the idea that his mother was a prostitute bc it’s a headcanon I’ve seen other ppl have that makes sense to me/could inform some of his attitude towards sex and commodified bodies etc. But either way, I’d say he was orphaned at a young age.
Idk about any other headcanons about Griffith’s childhood tbh. My mind kind of goes blank when I’m asked stuff like this lol, if you had a specific question I could probably come up with something, but when it comes to just any headcanons in general, idk lol.
Oh wait one I have, which I’m v fond of, is that Griffith had no particular affinity for hawks or birds or whatever. Someone else suggested the name Band of the Hawk and he went with it bc it sounded good and gave the impression of rising up. Everything hawk related that came after, like Falconia, the whole armour look, the Hawk of Light, etc, is because of the Band of the Hawk, rather than the Band being just one of several hawk-related things in Griffith’s life.