There is really something to be said about the significance of physical contact between Guts and Griffith.
Like the fact is that this intense moment of Guts racing for Griffith, wondering what on earth he can possibly do, is a lead-up to a single touch that sends Griffith into despair. This touch is what causes the Eclipse.
A similar physical touch marks the moment Griffith thinks of when he wonders when Guts gained such a strong hold over him:
Their first duel is the only fight either of them ever engage in, as far as I recall, featuring direct physical contact rather than swords (or other weapons) clashing, and moreover, the scene depicts the sense of a gradual physical pull between them. Before the duel, Guts wakes up from a nightmare featuring his childhood trauma, falling into a near panic as he wakes up and feels a body on top of him, until he realizes she’s a woman, not a man.
Touch is highlighted as a concept to take note of here, particularly Guts’ aversion to it.
Guts remembers Griffith as the figure on a horse that he couldn’t reach before collapsing, gazing down at him:
Then they duel. The fight begins at a distance, with swords. Griffith nearly wins without touching him, and again while on a higher plane than Guts bc goddamn Miura gets a lot of mileage out of that imagery:
But then Guts bites Griffith’s sword, they lose those swords, roll down a hill, and Guts just starts punching. We get significant commentary from onlookers highlighting the uniqueness of this fight bringing Griffith down from his heights of untouchability:
As well as from Guts:
Griffith wins with a hold, and finally:
The sequence leads up to this intense moment of physical contact: Griffith pulling him up and gazing into his eyes.
Throughout the Golden Age there aren’t a lot of casual touches between them, but when we do see them touch (pre-torture) it’s usually during a very significant moment.
(Or once, casually, right after Griffith has reminisced about this particular fight:
Not particularly emphasized, but still during a nicely fitting and illustrative moment.)
Griffith remembers another moment of physical contact between them while thinking about how he loses his composure when it comes to Guts:
And this is the scene that leads to the highest point in their relationship, when Griffith admits he had no logical reason to save Guts and Guts dedicates his sword to him in turn. Plus Casca’s outrage also serves to highlight touch as a feature of the closeness of their relationship – and that relationship’s potential to destroy Griffith(’s dream):
And of course, at the climactic moment of the arc as a whole, we get this moment:
Griffith reaches down to pull Guts up to him at the beginning of the first scene we see between them (a contrast to Guts looking up at a distant Femto at the top of the stairs):
We get a nice close up of their handclasp the first time Griffith saves Guts’ life (again, pulling Guts up):
A full page the very last time Griffith saves Guts’ life:
And we get another panel of their hands when Guts lets him go and falls away from him:
Which brings me to the way there is also a particular emphasis given to the lack of
touch between them, compounding the impression that the physicality
between them is significant.
For instance, in contrast to their first fight where they lost their swords, swords – which each represent their respective dreams here – uh… come between them in chapter one, foreshadowing how dreams tear them apart and also highlighting Guts’ more immediate concern that Griffith is growing distant as he gets promoted and draws closer to attaining his dream:
(also i love having an excuse to post those 2 subsequent panels)
Eyes meeting across a vast ballroom and through a window as they smile at each other, after another reminder that Guts is planning to leave very soon:
Guts’ sword falling where we later see Griffith with self-inflicted scratch-marks:
I obviously can’t skip over Griffith thinking about Guts’ departure at the exact moment he
penetrates Charlotte, followed by Charlotte reflected in his frantic
eyes, emphasizing Guts’ absence here in contrast to Charlotte’s presence. All on the same page in 4 subsequent panels. While he’s fucking Charlotte.
Like, this is by far the gayest hetero sex scene I’ve ever seen.
Guts reaching for him fruitlessly here:
Frankly, and not fun but still unfortunately significant to the story, Femto raping Casca while staring at Guts, later compounded by the Beast of
Darkness telling Guts to do the same to get closer to him.
There’s also Femto’s use of telekinesis rather than physical force to keep Guts away from him in the Black Swordsman arc, and the aforementioned staircase of inequality between them.
And of course NeoGriffith’s distance. Both literally:
And symbolically:
Physical touch emphasizes their closeness. It punctuates the strong emotions between them. It pulls Guts up and brings Griffith down until they meet together in the middle, illustrating the fact that their emotions for each other make them equals despite their predetermined + false notions of what equality is.
Again:
It’s highlighted during the moments of their relationship that signify their emotional closeness:
It’s a contrast to the distance which signifies their relationship falling apart:
For instance, Guts holding Griffith throughout like half of the post-torture content shows us that he doesn’t want to leave again long before the story tells us that directly.
Griffith asking for his armour rather than taking off his mask, placing a physical barrier between them, shows us that he wants to keep some emotional distance from Guts, because their closeness is devastating to him. And that foreshadows his choice to sacrifice Guts to escape his vulnerability. His demon form incorporates his mask and, so far, they never touch again.
Basically physical touch is one of the tools Miura uses to illustrate their intense relationship, either through its presence or its pointed, painful absence, and I just wanted to take a moment to illustrate some of that, bc I dig it.
you're the only one 