tragedyiskink
replied to your photo “I spend months talking about this damn manga and Griffith and his need…”

I think the dialogue was lost in translation. This may have been the translator’s mistake.

idk from what i’ve heard the official translation is pretty good overall and doesn’t seem like it would drop emotional dialogue in crucial scenes. And I’ve lurked around skullknight for translation info/mistakes specifically which never mentioned this scene

i mean you never know, there’s always room for error, but casca trailing off and failing to reassure griffith fits perfectly into the story

phydia63
replied to your post “phydia63
replied to your post “There are two important parallels…”

Miura was cockocking them with plot armour and miscommunication tropes. Let them fuck Miura you coward!

ikkkkkkkkr

the golden age is straight up a slow burn mutually requited pining story except instead of eventually figuring their shit out they ruin everything forever

like

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they love each other and they can’t see that they’re loved in return and if miura just let them fuck everyone would’ve lived happily ever after

nobutasuu
replied to your post “My Big Gay Berserk Analysis 3”

Woah this literally made me see gutsca from a different point of view, idk if I can say I like them anymore, especially since I always felt something else between Guts and Griffith. I still believe she deserves better tho smh. Great job!

thank you for your kind words ❤ ia Casca definitely deserves better than what she got from the narrative and Guts, I hope she gets it eventually.

well this is about harry potter not berserk so it’s under a cut lol

yesgabsstuff
replied to your post

“wingsfreedom
replied to your post “I saw someone claim to be…”

So, semi-related; I read the Harry Potter series when I was slightly older and found the level of conscious emotional manipulation of Harry by most if not all of the adults in his life to be chilling but it worked for me? It’s a story about war really and it felt more like the desperate need this child had to believe that the world he was entering was idyllic than an unconscious exploration of an idyllic world. The way that a lot of fans have connected to that world is legitimate I think but I
Never felt the need to
overly sentimentalize the world of Harry Potter and I’m not sure that
was her intent as a writer for the series as a whole. The anti-Semitic
troupes used for the goblins always weirded me out and I had forgotten
about the werewolf.

oop I missed this earlier. But yeah I def read HP as I grew up which is a v different perspective. Idk imo the tonal shift between books 4 + 5 from roald dahl esque whimsy to a more realistic tone really fucked up the series. I think JKR either had to stick with one tone the whole way through or work a lot harder to make the tonal change work by re-examining the whimsical silly parody-of-british-society worldbuilding through a more realistic lens and subverting it.

(eg she tried to complicate the inherently absurd house sorting system by having the sorting hat sing a song about house unity in the later books, but then never followed through because she still made every slytherin child a total cowardly pos lol)

and the tonal shift lead to a kind of mishmash where you have to take some aspects seriously and other aspects as cute humour. so you have fantasy racism and death eaters as nazi parallels alongside ~wacky~ fantasy slavery with the house elves, and arthur weasley (the ministry’s expert on muggles, our oppressed class) as basically an uncritical pastiche of ignorant 18th century colonialist attitudes.

So idk. I think a lot of HP fic does a better and more interesting job of meshing the disparate aspects of the series than JKR did lol. But I can also see how it might work better in some ways at least if you read them one after the other, rather than waiting years between books, especially if you know in advance that it gets darker.

yesgabsstuff
replied to your post “anyway speaking of moments where Griffith desperately needs someone to…”

Omg they are all so clueless and awkward and it’s painful. To be fair I wouldn’t really know what to say if I saw someone actively self-destructing in front of me, especially as a teenager/early twenties person.

yeah i mean it’s absolutely one of those things where you can’t blame guts or casca lol, no one’s actually at fault (except maybe fate). the situations just kind of suck all around and the characters happen to help that along for understandable reasons. which lbr p much sums up the golden age lol. can’t blame anyone for what they did or said (for the most part), it all makes sense for their characters based on the information they have, but it still sucks.

It’s something I’ve said to them/myself
more often the more I’ve meditated on it. Corkus was too sane  and
cranky for this world.

tbh when Corkus basically tells Guts he’s an ungrateful idiot when Guts explains why he wants to leave I pretty much want to high five him. Like I understand Guts’ motivation, but man Corkus Was Right. he’s wrong about some things (like thinking Griffith dgaf about Guts) but he’s spot on about other things.

yesgabsstuff
replied to your post “phydia63
replied to your post “sry if you’ve been asked this before…”

I’ve heard someone try to argue that he got captured on purpose to endure the year of torture so on and so forth. My brain melted a little bit. I think it’s fair to argue that at the moment he climbed up to Charlotte’s window that he perhaps meant to die; but there is zero evidence that Griffith had a fucking clue that the Behelit was anything more than a good luck charm with some mild magic, if he even believed in that sort of thing.

lmao incredible. i can’t even deal with this lol, the idea that he let himself be tortured for a year on purpose just so he’d feel enough despair to trigger the behelit or w/e is so nonsenical and contradictory to everything we see that i’m in awe

anyway ia with you, griffith semi-purposefully/subconsciously self immolated when he slept with charlotte but that’s not even in the same ballpark as calculatingly destroying himself on the off-chance it would work out and end with him turning into a god lol

wingsfreedom
replied to your post

“I saw someone claim to be psychiatrists with degree in psychology made…”

I really like charismatic villains with relatable qualities and have ruthless yet affective morality. I find their dark sides quite fantasting for me to explore, and discover more potential and good sides to them while still enjoying their whole characterization.
but seeing people throw around terms
like “seicopath”, “psychopath”, “pure evil”, “born evil” and tons of
hate, really pisses me off and make feel insecure. They made many great
antagonists seem nothing more than an irredeemable insane piece of shit
the moment they were born who’s just danger and deserve to die.

yeah same, most of my favourite characters have done terrible things lol, and if they’re my faves it’s usually because I find their motives or their thought processes when they do those things sympathetic and/or understandable. Part of the point of fiction is that you can explore dark stuff you can’t explore in real life. There is no safer space to engage w/ some of the darker aspects of the world/humanity because it’s not real, and there is absolutely nothing wrong with sympathizing with people who’ve done terrible things in fiction, because it’s fiction and no one was actually harmed.

It sucks that people make you feel insecure about it when there’s nothing wrong with that, and most of these villains are meant to be complex and interesting and compelling and even likeable. The ppl who flatten those characters are the ones misinterpreting the story, usually.

further thoughts/clarification under cut bc I feel like leaving this reply on “it’s fiction so who cares” opens me up to discourse I might as well nip in the bud

People like to argue this point by saying that fiction can affect reality and perpetuate harmful concepts and ideas. And this is true.

fiction can be harmful when it replicates damaging tropes and when it pushes problematic messages either accidentally or purposefully, and frankly fiction that pushes the message that some people are born irredeemably evil and some people are born good and can do no wrong is imo much more harmful than fiction that explores, say, what would drive a sympathetic person to sacrifice a bunch of his friends. (not that Berserk has no harmful tropes/messages lol, but imo the exploration of morality in Griffith’s narrative isn’t one of them)

like, to use a very well-known and v blatant example lol, harry potter with its kind of badly written black and white morality and oppression metaphors is probably more damaging than a lot of stories with moral greys.

harry potter has its offensive werewolf aids metaphor ft a metaphorical pedophile who deliberately infects children (thx jk), its pure evil villain who is evil because his mother didn’t love him enough to die for him, its magical fantasy racism parallels used to make death eaters irredeemable but also used as a source of cute humour when, eg, it comes to Arthur Weasley’s patronizing attitude towards the fictional oppressed class, its house elf slavery thing that is just weird as fuck, its pure good protagonist who can use the same “unforgiveable” torture curse as the villains and get a shoulder pat for it, etc etc.

People who uncritically sympathize with the good characters in Harry Potter and uncritically hate the bad guys and expect everyone else to do the same are buying into these offensive aspects of the story and not even realizing it.

And basically I think a lot of people just find it easier to say that sympathizing with villains is bad because they do bad things, and to flatten their characters in an attempt to ignore any complexity that leads to sympathy/relatability/empathy/etc, than it is to actually analyze fiction and figure out where the actual problematic messages are coming from.

Like this is how you get people saying Griffith fans are rape apologists in the same breath they use to excuse Guts sexually assaulting Casca. It’s easier to say the problem lies with the fans who sympathize with the antagonist, rather than the story itself, or their own flat conceptions of the characters that don’t allow for sympathy when it comes to Griffith and, conversely and kind of disturbingly, condemnation when it comes to Guts.

Boiling it down to the idea that bad people sympathize with Voldemort or Draco or Griffith or whoever and good people sympathize with Harry or Guts is idiotic. “Bad” people (this is a uselessly vague phrase but w/e) are just as capable of sympathizing with the protagonists, and in fact I think are probably much more likely to relate to the hero rather than the villain because they’d tend to lack the self awareness necessary to see themselves as the villain.

seisans
replied to your post “I saw someone claim to be psychiatrists with degree in psychology made…”

lmao @ people claiming to be psychiatrists and then using the word ‘psychopath’ instead of what they really mean, which is ASPD, the criteria of which griffith does not fit. like at all. he is some flavour of mentally ill though so congrats for picking up on that!!

lmao yeah i was kind of wondering bc i thought “psychopath” isn’t an actual diagnosis.

honestly i think to a lot of people character does a bad thing + behaviour i personally can’t relate to/possible mental illness symptoms = psychopath.

plus if it lets them deny the character’s capacity to feel love for a member of the same sex, they’ll leap on it. also see: hannibal, even though it’s been stated in the show that he’s not a psychopath lol.

just-a-daft-punk
replied to your post “phydia63
replied to your post “Serpico and Roderick”
…”

I also like with how much respect he treats guts, like he keeps calling him chief, commander or general even though guts told him he doesn’t have to. And I feel like he’s the only one who’s genuinely interested in his real underlying motives like why he even fights for Casca and what his feelings for her are

Yeah he seems to genuinely like and respect Guts, which is nice, and tbh I found it kind of strange but endearing that he’s the only one who asked Guts about Casca and seemed to get an answer (tho we didn’t see it). Plus he got the Elfhelm drinking conversation going between him and Guts and Serpico. he’s a good facilitator of heart to hearts lol.

phydia63
replied to your post “phydia63
replied to your post “Serpico and Roderick”
…”

It would suck imo if Roderick turns out to be a dick just like every male character in berserk ever.
If he is a nice guy like it seems rn, I can see him going with the flow when Farnese breaks off the engagement

yeah, there sure aren’t many non-dickish dudes in Berserk. Maybe Serpico? But with him it’s less that he genuinely wants to be a decent guy and more like he can’t be assed to be a dick bc it’s more of a hassle lol. so far roderick is fairly refreshing.

phydia63
replied to your post “Serpico and Roderick”

I was really pleasantly surprised by Roderick, I expected him to be a slimy man since he is friends with Magnifico lol But he was so chill, also he’s cool on a ship xD I’d like if he and Farny become nice friends

same! the way he was introduced as Farnese’s surprise fiancee set up by her scheming brother definitely made me expect the worst but so far he’s been a surprisingly good dude. i’d love to see Farnese break off the engagement and Roderick take it in stride and remain friends with her. i mean I guess there’s some ulterior motive to them getting married (due to that whispery ball conversation between roderick and magnifico), so that might not be how it goes, but it would be nice and I could definitely see Roderick being amiable about it.

myahle
replied to your post “Guts is different from Griffith. Guts fights the beast in him every…”

THANK YOUUUUUUU. This in-depth analysis is perfect. My brother made me watch Berserk with him and started ne off saying, “you’ll probably like Griffith because, but you shouldn’t. You should like Guts.” I do like Guts; however, I adore Griffith because of his complexity and I enjoy his parallel with Guts’ narrative. I am so glad that someone else has pointed out how each character is similar, yet different. ������

thank you for your kind words ❤

glad you didn’t end up agreeing with your brother, I find berserk is just a richer, better story when you can appreciate and enjoy Griffith’s complex character and narrative. both guts and griffith are important to berserk and why only like one when you can enjoy both, right?

farneseapologist
replied to your post “griffith represents the realistic reaction. a lot of people who read…”

THANK YOU i think in particular the part abt the sacrificed person being who you most love *and* hate in that moment gets ignored, like the fact that in the canon examples the person(s) you love the most has betrayed you or ruined your life etc etc is glossed over??
it’s very easy to say
“well, *i* wouldnt do it” and pat your back smugly for being a good and
moral person if you can’t imagine ever facing that level of betrayal
from your loved ones

yeah it’s an important part of the whole equation. maybe it’s not the case in every single sacrifice, but it seems to generally hold true and it makes sense because in Berserk fate basically arranges circumstances for the highest possibility of someone saying “yes.” Except with Theresia, the sacrifice is always the reason for the behelit owner’s despair. It’s, ‘cut this out of your life and you will never feel despair like this again.’

idk I guess it’s less obvious with Guts and Griffith because Guts like, didn’t just try to kill him or anything, the betrayal Griffith perceives from him is a lot more subtle and blameless. More of a, I destroyed my dream because I’m in love with you and you’re going to leave me again, kind of thing. He says, “you’re the only one who made me forget my dream,” like an accusation. But I mean Guts himself acknowledges that he’s the one who drove Griffith to despair while he’s riding after him, so Guts being the source of Griffith’s pain is pretty explicitly part of the Eclipse.

So like yeah, even if you wouldn’t sacrifice someone you love who is totally innocent under any circumstances, let’s be real most of the people who say they’d never sacrifice someone aren’t thinking of a cheating spouse, or a son who just tried to kill them, or someone they love whose perceived rejection lead to a year of torture.

seisans
replied to your post “Casca”

this is why in every au i imagine casca and guts as siblings … it’s literally perfect they have such a good platonic dynamic

I feel this tbh. Thinking about how much better their relationship, and the manga in general, would be if their relationship stayed platonic bums me out lol. It would’ve been so superior.

seisans said: is guts watching ‘cause griffith is cute
or is griffith cute ‘cause guts is watching?

asking the real questions. maybe he’s born with it, maybe it’s off the charts romantic chemistry

madchen
replied to your post “madchen
replied to your post “Guts is different from Griffith. Guts…”

oh yea i assume the same bc of guts central role but also i think people are definitely unwilling to extend understanding towards griffith that isnt one dimensional…

yeah and it’s absolutely not only because Griffith’s narrative is shown in less intimate detail. people go out of their way to avoid sympathizing with him.

also. ot to tangent here but HOW do people work around that guts clearly
gave more of a fuck about griffith and saving him during the eclipse he
didnt even think once about casca until she showed up for the plot
trauma convenience. wow what an epic romance. 

i’m so baffled by it. it’s even weird in the manga, like, you’d think if miura hooked guts and casca up solely to make the eclipse more dramatic he would like, show that guts gives a shit and have him prioritize her at some point during the Eclipse before being literally forced to watch her suffer, and yet.