To Griffith, the dream is emotional security. It’s assurance that if he’s dirty, then it’s because it’s necessary to be so, so he can keep winning for the sake of the dead. It’s a way for him to repress his guilt and self loathing, because when he gets that kingdom-shaped seal of approval, it will have been worth it.
So when I say that Griffith’s relationship with Guts is beginning to replace the dream, that’s what I mean – rather than relying on the dream to reassure himself that everything he’s done, even his very existence, is worthwhile, he could rely on Guts for that. He starts opening up to Guts, rather than repressing through his dream.
This started as an attempt to explain my take on why Griffith is so utterly dedicated to his dream, and then it evolved into a monster when I decided to apply that reading to the rest of Griffith’s narrative. This is basically an examination of the dream, and how Griffith’s relationship with Guts comes to not only take precedence over it, but functionally replace it.
Now, while this is essentially a Griffith character study, I’m coming at him from a very specific angle so this is by no means definitive or all-encompassing. There’s so much to say about Griffith, his role in the story, his characterization and motivation etc that I just can’t fit into the purview of this meta – like, hell, I don’t even talk about class issues lol – but hopefully this serves as a thorough exploration of the aspects I did choose to focus on.
And, of course, it goes without saying that this is just my own interpretation. I’ll make the best case I can, but at the end of the day so much of Griffith’s story is left in subtext that there’s plenty of room for other interpretations.
Also, I want to lead off with a warning/advertisement:
I fucking love
Griffith. I think he’s a
fantastic character with a ton of depth and humanity who gets reduced to
a two dimensional caricature in fandom way too often, I’m sympathetic towards him, and I take
it as read that he’s blatantly in love with Guts, and indeed, that his
narrative is almost entirely about being in love with Guts. I’m also writing this for a presumed audience of people who don’t need to be convinced first that Griffith is more complex than “conniving sociopath,” but if that’s your starting point you’re more than welcome to read anyway and see if anything I have to say resonates despite that.
Basically, if you’re into really really long, really gay character analyses, enjoy!