to the anon who sent an ask yesterday i think re: g*tsca shippers

i’m just kind of bypassing answering your ask bc it’s discoursey in a way i don’t want to deal with lol, sorry.

i cant believe berserk fandom is real sometimes. they use eclipse rape as a gotcha to anyone who complains about griffith hate and think femto is just griffith+power. but hound is just a random spirit possessing guts apparently. even ones who think hound is a part of guts think guts cant be really blamed cuz he blacked out or feels bad about it i guess. like you feel this strongly about a fictional characters crime but make excuses for another for doing the same thing.

cutting this for kind of graphic descriptions of sexual assault

I’d argue he didn’t even black out, he was clearly aware when he forcibly kissed her after pointedly noticing she’d been assaulted (we get a closeup from Guts’ perspective of blood dripping from her vag, ffs), we get like literally five whole pages of sexual assault depicted completely without any kind of possession or beast-y imagery, and the subsequent beast of darkness imagery in Guts’ mind that we see after that isn’t indicative of “possession,” it’s an illustration of what’s going on in his subconscious – his own inner darkness gaining strength.

Like it happens in broad daylight for a reason, in contrast to the chapter earlier when he strangled her while actually briefly possessed during a night-time ghost fight, and that reason is so that the readers can’t absolve Guts of blame. There’s nothing but Guts in this scene.

And anyway, at the end of the day the whole point of the Beast of Darkness is to show that Guts’ inner darkness is no better than Griffith’s. According to Berserk practically every dude has an evil rapist lurking in their subconscious, it’s not a great nuanced examination of male entitlement or anything lol, it’s just using rape as a lazy shorthand for inner darkness.

Like imo the only valid reaction to have to this dumb story is to recognize the misogyny on the part of the author, and honestly both excusing Guts and reacting with ott hatred towards Griffith is the exact opposite of that. Like I can’t blame anyone for hating Griffith, everyone’s entitled to their emotional reactions to a rape scene, especially one as offensively depicted as the Eclipse rape, but when that’s your reaction instead of recognizing the author’s horrendous writing, or while praising the author’s writing because he made you feel that angry, that’s an issue, yk?

And people blaming Griffith/Femto for Casca’s character being destroyed, for Casca’s gratuitious and sexualized victimization, etc, lets Miura off the hook. Like, Femto is ink on paper, Miura is the one with actual agency who chose to write Casca out of the story in the most misogynist way possible for the sake of making his protagonist feel bad.

tl;dr berserk is an offensive story about two dudes who both have rapist alter-egos, we all gotta acknowledge that.

Hi! I haven’t been here in a while but I hope you’re doing well :D I wanted to ask, what’s your take on the last couple of chapters? People speculate that it’s supposed to be a whole chapter divided in two parts, but do you think it is relevant somehow? I just can’t see the point of it and I’m wracking my brains trying to get Miuras intentions. because drawing the entire battle is no easy fit and he wouldn’t do it unless he had a reason. Sorry if this has been answered before btw!

lmao this is very timely because last night i re-read those chapters and it just kind of hit me how completely and utterly fucking weird it is for ngriff to be personally out there leading a giant-killing army

like

it’s baffling

he
has a huge army of monsters and humans with perfectly competent leaders
among them. he no longer has to prove himself with fancy heroics,
considering he’s now the saviour of the world. he’s in charge of an
enormous city-state, which must keep him fairly busy.

why is he out leading an army from the
front to kill a random group of fantasy monsters? why is he the one
leaping off a horse off a staircase-dragon so he can stab the giant leader in the
eye? he has flying monsters on his side! grunbeld breathes fire!

like
either miura is really letting himself go, ignoring all logic just so
he can draw griffith doing mildly cool fight-y shit, or this has to be
like, a thing. like griffith is avoiding charlotte, or he’s incredibly
bored, or restless, or there is a real plot related reason for this fight and for griffith being there personally.

but idk it has the feeling of being routine to me, and it feels mostly like place setting for the state of the current world/what griffith and co are doing now. I hope there’s a good reason for this scene but idk what it could be.

(sonia mentioned that there’s something dark lurking to beware of or w/e, but then the next chapter started with that hydra so it seems that might’ve been what she was referring to? idk it all feels very pointless so far.)

I remember during the Wyald fight, Griffith was trying to pick up his sword to fight but couldn’t. It was the last time he was willing to help the original band of the hawk.

Oh man, I love those moments so much, they’re absolutely heartwrenching to me.

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And yeah it kind of helps hammer home the contrast after Griffith makes the sacrifice, by reminding us that Griffith was the kind of guy who would grab a sword and run to fight a monster to help the people he cares about, who still tried to even when it was completely impossible.

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It’s such a good touch for the lead-up to the eclipse imo.

some berserk readers are so wild,, can you believe that there are actually a lot of people who think that griffith had romantic feelings for casca? because of the dream sequence pre eclipse.. like I always thought it was more like a nightmare for griffith since guts is gone swinging his sword elsewhere and casca has to feed him because he‘s disabled I think [..]

Are there really??? omggg

i mean i guess to be fair the scene w/ casca and griffith in the wagon confuses everyone, and if you add that to the (absolutely nightmarish) dream sequence i could… maybe kinda sorta see how some people come away not knowing what else to think if they’re the kind of person who defaults to man+woman=attraction lol.

But I mean come on even if you can’t make sense of some of it it’s so clearly about Griffith’s helplessness and powerlessness. Like, the nightmare of living with Casca while Guts is off doing his thing is his worst case scenario and he tries to kill himself right after! How do you read that and think, ah yes clearly Casca is the person Griffith wants.

I mean I’d say a solid potential throughline from Griffith and Casca in the wagon to that nightmare is Griffith grasping at straws for some kind of life, since he’s dependant now and has no choice but to rely on someone else to take care of him (which Wyald helpfully made absolutely clear a chapter earlier), and then realizing that he’d rather kill himself than live that life if Guts is absent from it.

I mean there are romantic feelings there, but they sure aren’t directed at Casca.

When Guts and Casca saw Griffith in the hill of swords, everyone thinks that maybe the two of them could possibly forgive him. But I always saw it as being surprised to see a pre-eclipse Griffith before he was tortured. I think guts would get use to it and proceed in trying to kill him, next time he sees Griffith.

Huh, I’ve never rly seen that opinion tbh, maybe we hang out in different parts of fandom. Well, I’ve seen a few people expressing worry that Casca might forgive Griffith, but honestly if Miura writes that I will like, personally fly across the ocean to salt his garden. And I definitely don’t think it’s likely.

As for Guts… hm I’m just going to go all out and explain my take on Guts’ reaction to NGriff bc you gave me an opening lol.

I don’t think forgiveness for the Eclipse rape is on the table. But I definitely think his feelings towards NeoGriffith are very complex and he’s absolutely emotionally conflicted towards him, not just surprised by his appearance.

But yeah I don’t think his emotional conflict stems from wanting to forgive Griffith. What he wants is for Griffith to be or contain the version of himself that like, doesn’t require forgiving, because the only thing human Griffith did that hurt Guts was sacrifice the Band – and Guts never seemed to really blame him for that anyway.

Like when we’re talking about a dude who has undergone two (2) magical transformations and basically exists as three versions of himself, each with apparently very different internal emotional lives, it’s hard not to be conflicted about him.

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Guts differentiates between human Griffith and Femto, and Guts does not hate human Griffith. We never ever not once see Guts direct an iota of rage towards Griffith as a human. Not even during the Eclipse, after he sacrificed everyone.

Very consistently, every time Guts thinks about human Griffith it’s with regret, sadness, a sense of loss. He regretfully thinks about Griffith kneeling in the snow like a million times, and never expresses anger about how Griffith sacrificed everyone and turned into an evil demon a year later. He thinks about Griffith among the dead Hawks during his run through memory lane, right after the Eclipse, and cries. Griffith is the most prominent shining light Schierke sees in his subconscious. Griffith is a part of the “campfire from those days” that still burns in his chest, and prevents him from being fully consumed by hate. etc etc.

He thinks about demonic-looking Femto when he’s feeling rage and hate, never human Griffith.

And I’m going to suggest that there are three main, related reasons that Guts feels emotional conflict in regards to NeoGriffith.

One is that it’s another change. Guts doesn’t know what exactly to expect from this third version of Griffith, who looks human again rather than demonic. He knows that he’s not “his” Griffith, because Skull Knight told him the fifth Godhand would incarnate, because he flew away from the Tower of Conviction on Zodd, and because the brand bleeds around him, but there’s a reason Guts rather desperately searches for a hint that NeoGriffith has regrets or feels remorse. Deep down he’s hoping that he’s closer to human Griffith than to Femto, basically, or that more of human Griffith is in there and reachable, or however you want to phrase it.

He lets Rickert hold him back from attacking until NeoGriffith directly says he’s free from his emotions, and then doesn’t actually try to strike until NGriff reiterates that sentiment with “I’ll not betray my dream. That is all.”

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If NeoGriffith had feelings, if he felt regret, if he was no longer a malevolent demon, then Femto could be considered an anomaly that would carry sole blame for the Eclipse rape. Like, when we’re talking magical transformations that affect your mind as well as your body, the concept of blame is kind of nebulous. If NeoGriffith basically had all of human Griffith’s emotions and was horrified by his actions as Femto, and wanted to regain his relationship with Guts, then tbqh Guts would probably be able to go “oh well it wasn’t really you anyway.”

Yk, kinda like a Berserk fan who doesn’t consider Guts to be responsible for “the beast of darkness” assaulting Casca, but with the handy addition of a literal transformation. You can argue fictional moral philosophy wrt the morality of magically transforming into a monster and back again lol, but I definitely think Guts would seize the opportunity to write Femto off.

So, to split hairs, it’s less about potentially forgiving him, and more about potentially not holding him responsible. But yk, unfortunately for Guts NGriff turns out to be an apparently emotionless asshole who still won’t give him the time of day and says straight up that he regrets nothing, so that’s not an option for him.

The second reason is that, well, he looks like the dude that Guts felt such ridiculously intense feelings for that he rearranged his entire life and abandoned the people he considered his family just to feel like he was worthy of being his friend.

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It’s a whole lot easier to feel rage against an aspect of someone you’re p much in love with when they look like a bona fide monster, rather than exactly like the person you love. You’ll even notice that, except in moments that emphasize the potential Guts has of following in his footsteps, Griffith’s face tends to be obscured or completely nonexistent when Guts thinks about Femto.

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And the third reason is that he was already very emotionally conflicted over Femto. Femto raping Casca did not make him retroactively hate human Griffith, but his love for the man Griffith once was absolutely complicates his feelings with regards to Femto.

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We see this in the way becoming a rage-fueled monster is framed as a temptation because he still wants to be his friend and equal, as per Griffith’s Promrose speech.

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It’s also there in how Guts blatantly wants his attention and regard after everything.

He “threw away” Griffith’s love, so if he can’t have that then he wants Femto’s hate. He wants to be seen and acknowledged, even as a threat, so when Femto says that Guts doesn’t even register to him as an enemy, it pisses him off so much it gives him the strength to climb a flight of stairs with like half his bones broken and potentially-fatal pain in his brand, and swing his giant sword at him.

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And we see it when he still thinks of him as a shining light in the darkness, despite everything.

Basically, on some emotional, irrational level, he still wants this:

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Like, to reiterate, imo Guts’ emotional conflict isn’t about whether he can forgive Femto/NeoGriffith. It’s about the fact that Femto and NeoGriffith are both aspects of a dude that Guts had incredibly intense feelings for. They are distinct from Griffith but also inseparable from him, and that’s really, really hard to reconcile emotionally.

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Hence, eg, a bunch of this maudlin shit:

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Idk basically no I don’t think Guts is going to forgive NeoGriffith, but I do think that he is still very conflicted about him. He wants to want to kill him lol, but just as much, he wants to be seen by him, he wants his attention, he wants his love, he wants to be his equal, and he also wants to completely move on and just forget all his painfully fucked up and conflicting feelings towards him.

And I guess time will tell whether he achieves any of that.

Hi)) So, I wanna ask – have you some headcanons about Griffith’s childhood? Is he an orphan or maybe he has any family? And I’m f*cking interested – why he’s so beautiful???😏 He isn’t look like commoner, he has very aristocratic apperance. Who was his parents in that case? (he couldn’t have hatched from an egg, could he?)))

I think Griffith’s story works best imo if he’s completely common, so I’d say his parents were nobody important. Can’t rly judge nobility vs commoners by looks anyway, inbreeding notwithstanding lol.

I guess technically the in story reason he’s so beautiful is because he needed to be to fulfill his destiny – he incarnates as humanity’s “desired” after all and has to look the part, plus yk it’s a big factor in almost all of the shit that fucked him up to the point of making the sacrifice, from Gennon and the torturer obsessing over him to being seen more as a symbol than a person to being a huge asset in his ability to rise up the ladder of nobility – so god made sure his genetics were exactly right for looks as well as personality or w/e.

I generally hc that both his parents died when he was young, or maybe he just never knew his father, and I tend to just go with the idea that his mother was a prostitute bc it’s a headcanon I’ve seen other ppl have that makes sense to me/could inform some of his attitude towards sex and commodified bodies etc. But either way, I’d say he was orphaned at a young age.

Idk about any other headcanons about Griffith’s childhood tbh. My mind kind of goes blank when I’m asked stuff like this lol, if you had a specific question I could probably come up with something, but when it comes to just any headcanons in general, idk lol.

Oh wait one I have, which I’m v fond of, is that Griffith had no particular affinity for hawks or birds or whatever. Someone else suggested the name Band of the Hawk and he went with it bc it sounded good and gave the impression of rising up. Everything hawk related that came after, like Falconia, the whole armour look, the Hawk of Light, etc, is because of the Band of the Hawk, rather than the Band being just one of several hawk-related things in Griffith’s life.

That’s kind of childhood related at least.

What do you think about Miura’s statement that he created Farnese with his female readers in mind?

was that the same thing where he like described her as a medieval version of a business woman or something like that lol?

tbh… idk. as far as female characters in Berserk go Farnese is the best imo. she’s got character depth and agency and a full arc and is only threatened with rape once lmao, which is sadly v refreshing after the golden age. it’s nice that her narrative isn’t “the sad plight of being a woman,” like her gender is important to various parts of her narrative like her engagement and her early physical helplessness having never learned to fight, and probably the way Casca trusts her, etc, but she’s not solely defined by being a woman, which is also refreshing after Casca’s golden age narrative lol.

like i’ll roll my eyes at the idea that miura only added another female character to the cast because he has female readers, and if his audience was entirely men he wouldn’t’ve bothered, but w/e. Farnese isn’t written like The Token Chick or like a 2 dimensional stereotype so I don’t really mind, i love Farnese and whatever his reasoning i’m glad she’s there.

Have you noticed that in the movie Griffith doesn’t have the single wound on the shoulder but multiple scratch ones? I dunno if they got Miura to suggest it or if they took some liberties, but it always bothered me how in the manga he had that weird wound: it didn’t look like his scratching from the Casca flashback at all.

Okay, this is totally overkill, I know, but your ask has motivated me to just lay it all out, so ty!

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Yeah, I can see why people look at this image and see it as one huge raised scar. It’s fairly ambiguous looking, and it’s the visual interpretation the anime went with, which reinforces this common perception:

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But look at this:

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You can see when he traces it that the “outline” of that “wound” fits his two fingers exactly. It’s not one scar, it’s two self-inflicted parallel scratch marks.

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They’re not in the same place as the river scratches, there are only two instead of four, and they’re also older and therefore either mostly healed scabs or scars which he’s tracing instead of tearing open in that moment, which is why they’re not the same as the bleeding open wounds we see in chapter 17, but they are definitely two separate marks, not the edges of one giant scar.

Tbh I think Miura put them on his shoulder instead of his arms this time mainly for dramatic effect so Griffith is more curled in on himself when he traces them.

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imo the movie is closer to the spirit of the manga in making them scratch marks and showing Griffith seemingly tempted to add to them. It’s still a little weird considering their placement further back, and idk what they expected new audiences to think since they cut out every relevant aspect of those marks being there, ie his backstory and the night Guts and Griffith assassinate the Queen and co. But whatever, it’s close enough for me.

And to just briefly explain those scratch marks a bit further, basically, as much as it looks a bit like a big scar in the manga, like you said, it really makes no sense for it to be.

If Guts’ sword had hit him in the second duel he’d either have a gaping wound or a discoloured bruise later that day, not a scar, and if he got it somewhere else that we never get to see then he has absolutely no narrative reason to trace it and cry while thinking about Guts. It would be nonsensical and meaningless for him to trace some random mysterious scar that has no relevance in this highly emotionally charged moment.

On the other hand we know he has a history of self-harming by scratching himself, and we’ve seen him viciously scratch himself under circumstances very similar to Tombstone of Flame Part 2 – the moment Griffith flashed back to just as we see his bare shoulder with those marks on it for the first time in that first image up there: “You believe that, don’t you?”

Griffith has done something he considers “dirty” for the sake of his dream, asks someone else what they think of him (”Am I dirty?” // “Do you think that I’m cruel?”), both Casca and Guts inadvertantly reinforce his belief that he’s dirty/cruel with their responses (”N- why… why were you alone with him before?” and “Ain’t that part of the path to your dream?”), and in the river in front of Casca he self harms while talking himself through the necessity of dirtying himself for his dream, so it feels safe to assume that sometime shortly following his conversation with Guts in Tombstone of Flame he also self harmed while telling himself it’s necessary to be cruel for his dream.

Now that Guts has left in what Griffith believes is a rejection of the “cruelty” and “dirtiness” that he let Guts in to see, he traces those old scratch marks and tries to convince himself again that it’s worth it for his dream. And the point of this moment is that he can’t convince himself this time. Instead he just curls up and sobs, because in the face of Guts’ apparent rejection, it’s not worth it.

Like I said lol, this is overkill as a response to your ask, but like I saw an excuse to explain my take on this moment in its own post, instead of buried in a much longer post, so I took it.

As I was trying to educate somebody over on reddit about the very gay influences of Berserk, I realized since Lady Oscar was an inspiration for Griffith and Serpico is modeled after Andre, the intended endgame is clearly GriffithxSerpico. How could we all be so blind! And you can be damn sure that Serpico would have not done something so foolish as to embark on a quest to become Griffiths equal, he would have stayed right at his side, murdering his way through Midlands court.

lmao now there’s a ship that i never would’ve thought of, and yet almost makes sense. serpico and farnese kind of had some griffguts parallels going on, serpico just has 100x more chill than guts does.

he would’ve made a gr8 assassin too lol.

i’m capping this bc i’m p sure if g*tsca is uncensored, even in asks, this post will show up when ppl search the tag bc tumblr is fucking terrible lol

lol i wish, i don’t ever expect anything canon from griffguts but it’d sure be nice esp knowing how many of miura’s stated influences are super gay. i mean he could at the very least canonically confirm that the golden age was 100% mutually requited pining gone wrong, we all know it’s true lol. either way tho i want casca to get her own arc so bad.

also imagine farnesca vibes w/ apostle casca. i know i always cite jill and rosine as a griffguts parallel but i’m js, it’d work with them too.

shipping g*tsca is one thing but glorifying their relationship is so ?? I love guts and I’m aware that he saved her countless times but he still assaulted her, called her a bitch etc but most people don’t even care bc that’s just how berserk is and casca‘s his waifu uwuwu + their relationship always seemed kind of forced to me (thanks judeau)

yeah like, as far as ships go, it’s dark, very far from traditionally romantic, textually abusive af – both purposefully post-eclipse and probably accidentally on miura’s part pre-eclipse what with guts grabbing her tit in the middle of an argument and things like that – and reflects a whole lot of the author’s misogyny.

i personally have no problem w/ ppl who enjoy g*tsca anyway in theory, idgaf if people ship dark fucked up ships and i ship a million of them myself, but man i wish so many berserk fans didn’t pretend it’s something it very much isn’t for the sake of getting pissy at those who don’t care for the ship lol.

and i’m not one of those fans who are like, “you have to acknowledge how ~problematic~ something is every time you mention it” (obviously lol), like i also dgaf about g*tsca fans romanticizing it generally, but like in the context of pitting one ship against another on moral grounds, or genuinely wishing for guts and casca to live happily ever after together in canon, or accusing people who don’t ship it of hating casca or not wanting casca to be happy lol, i feel like it’s a pretty glaring omission to sweep, eg, the fact that casca is afraid of him because he sexually assaulted her under the rug.

idk basically my stance is ship what u want but don’t act like it makes you morally superior, and the fact that so many people do get on weird judgemental high horses over g*tsca of all ships blows my mind lol.

(1/2)Was thinking in a canon au if Griff and Guts actually did confess to each other or accidentally find out about each other’s feelings(which is more likely) they would end up becoming sooo awkward around each other, they wouldn’t really know what to do or act around each other for A while. And everyone in the band of hawks are gonna wonder why they’re acting weird around each other or not hanging out with each other as often as usual. Casca would be the only one to know what’s going on.

(2/2) I actually see Casca being the one giving them the helpful push
they need since those two idiots won’t do it themselves. Like she would
be hurt and upset at first but being that she loves Griffith and always
puts his happiness and desires before her own and plus she cares about
his mental health, she would do what she’s to do to help him get what he
wants. In this case getting Guts to break the ice with Griffith. 

Ooh I could really easily see this tbh.

I mean like, think of say an AU where Guts never heard the Promrose Hall speech, but still ended up falling off a cliff with Casca and asking her what her deal is. Casca tells him the same story, complete with talking about how jealous she is of him and it’s almost as if… as if…

except without the memory of the speech getting in the way Guts actually gets it.

And then awkwardness ensues for a while and Griffith is maybe hurt by Guts’ sudden shift in attitude (maybe Guts is avoiding him bc he’s trying to sort his own feelings out) and now that Casca and Guts have bonded a little she gets pissed off at him for accidentally acting like a dick and they talk and Guts has a revelation during their conversation. Or something. Yk, a mild version of what she tells him in canon, without the stabbing.

Or maybe for a somewhat angstier, more drawn out version, Guts and Griffith end up making out at some point for whatever reason (impulsive thank god you’re alive kiss, drunk, intimate late night talk and it just happens, whatever) but afterwards Griffith freaks out because he has a life plan and his life plan doesn’t include falling in love with Guts but if he acknowledges his attraction to him he can’t deny the rest of his feelings anymore and the sudden realization of how intense his feelings are throws him for a loop and he tells Guts it was a mistake, he has a princess to seduce and a kingdom to attain, yadda yadda yadda.

And then Griffith overcompensates. Takes a stupid irrational risk(s) to win the war/achieve the dream. Maybe it works out, maybe it’s a setback, maybe plot things ensue. Things are weird and awkward between him and Guts and everyone can see it, some of them connect the dots between that and how Griffith’s been acting lately, and finally Casca’s like, okay what the fuck, if someone doesn’t fix this we’re all screwed, and rolls up her sleeves.

lol idk why I’m throwing plot outlines out in response to this ask lol, but idk it’s a good concept that feels like something that would happen in canon, feels good feels organic.

I mean in canon Casca’s role veers from griffguts commentator/attempted facilitator to emotional/physical bridge between them, and l b r here the former role is by far kinder and less horrible to her. Let her do her perceptive thing and help them get together, and then she maintain good platonic friendships with them, grow on her own, then get a girlfriend.

win/win.

also ngl I love the trope where everyone in the immediate circle can see something’s going on between the awkward not-couple. which is another thing berserk has in canon to an extent and another reason I love it and this scenario works so well lol.

do you know by any chance miura‘s opinion on griffguts?

I have heard on the grapevine that he’s been asked about it once or twice in interviews and does the typical ~men can have passionate relationships without it being sexual~ thing but I’ve never seen it first hand. (Well I guess I never will since it will always go through a translator first, but yk what I mean. Never seen more than a paraphrase.)

But also like, that doesn’t affect my reading at all lol. He clearly added intentional subtext, which is like, demonstrated when the characters themselves comment on it lol, and if he genuinely intended me to read them as two dudes who don’t want to fuck each other then he missed his target by so much that the dart somehow hit the wall behind him.

guts biting Griffith’s sword was a gay metaphor and then him breaking Griffith’s sword was another gay metaphor for guts “rejection” – or the perceived rejection from Griffith’s side

yeah i’ll def cosign this lol

i mean the sword blowjob was the farthest thing from subtle and while i think the second duel’s sword-breaking is largely about like… powerlessness moreso than clear sexual connotations like the first duel, it’s powerlessness in the face of griffith’s emotions for guts and his rejection by him, “how long ago did someone I was supposed to have in hand instead gain such a strong hold on me,” etc, so yeah. Totally a gay metaphor for griffith’s perceived rejection by guts.

(also i think you could argue that there are still some sexual connotations in the 2nd duel, it just feels like a little more of a stretch than w/ the hugely blatant first duel lol. but i mean, berserk equating wounds to sex not long after, guts breaking griffith’s sword before it hits him and then not even touching griffith with his own sword, right over top the scratch markes he gave himself which he traces after fucking charlotte later… lmfao fuck freudian imagery is such a fun rabbit hole, someone stop me.)

How come Charlotte be “Griffith Dream” I mean, what’s up with him trying to be a legitimate “King”?? They’re in a fairy tail world that his existence made fairy monsters creatures and humans mercy together he could’ve easily be a king. I don’t know why Miura thinks Charlotte is important others than being Griffith masterbation thing which is bad he doesn’t like her I refuse as a feminist supports muira letting Griffith use Charlotte that way. Women in Berserk get treated badly poor Charlotte.

I’m not sure I’m really understanding you right, but like, yeah ia that Berserk is super misogynist, though ngl NGriff still needing to marry Charlotte to seal the deal on his kingdom etc despite being basically a messiah now only makes me want to double down on my old “dream = sexual repression/heteronormative fantasy” reading lol.

also tbf compared to the shit most women in berserk suffer, charlotte co-ruling an awesome city with indoor plumbing and having a super charismatic husband who only pretends to care about her doesn’t seem that bad. but then i find it hard to empathize with fictional women whose whole lives revolve around their feelings for a dude, and the fact that griffith clearly does not return those feelings is the only thing that makes it palatable to me lol.

Like I’d say Charlotte is treated badly in Berserk not because she’s in a loveless relationship but because Miura has written her with absolutely nothing else in her life, yk? She is 100% defined by that relationship, so I can’t really bring myself to care about her beyond being exasperated by how badly Miura often writes women.

I think Guts can defeat Neo Griffith in his human form. But what about Femto? If Guts reached Neo Griffith I think Griffith will be forced to transform into his demon/god form to use his full powers. But Femto is so OP. Do you think of any possibility or scenario to defeat him?

tbh I don’t really think it’s a matter of NeoGriffith transforming into a more powerful Femto form. We saw him as Femto once, when he killed Ganeshka’s ascended form, and I’m pretty sure that we only saw him as Femto because we were seeing him from Ganeshka’s point of view. I don’t think he literally transformed, I think it’s like, his ~ethereal~ form that only other godlike beings can see. Maybe Skull Knight can see it too, idk.

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Miura uses a very deliberate point of view shot to reveal NGriff-as-Femto for the first time, which is why I’m thinking it’s not a literal transformation.

But like, when it comes to power levels, idk. It’s all down to whatever Miura makes up, right? If Guts needs to defeat NGriff/Femto who has Femto’s telekinetic powers etc, Miura will make it possible by revealing magic Elf deus ex machina power up thing or something.

My hope though is that it doesn’t come down to a physical might against might thing, but rather, an emotional confrontation.

At the end of the day, even if NGriff is as powerful as Femto and Guts is no physical match for him, he still has the same weakness that resulted in Femto finding himself unable to kill Guts, and letting him go after the Eclipse. And NGriff calling off Zodd while his heart was unexpectedly beating. And Guts has his own, “the instant I saw him I’d forgotten my urge to kill,” thing.

Like this is a protag/antag relationship where both are conflicted and reluctant to kill the other, and have therefore been avoiding each other for like 200 chapters lol, and when you think of it like that I don’t think power levels are going to factor in much.

So to actually answer your question, the scenario I see to defeat NGriff/Femto, assuming he is defeated/killed eventually, is that Griffith fucks himself over once again because of the resurgence of his irrational, life-ruining emotions for Guts, fails to kill Guts when he should or fails to defend himself when he should or possibly does kill Guts and then has a breakdown at which point Casca can freely kill him.