

I genuinely do think Griffith feels some kind of way about Rickert here.
mostly berserk meta. i'm into berserk mainly for griffguts and i'm a huge fan of griffith.


I genuinely do think Griffith feels some kind of way about Rickert here.




nothing makes me want to know what NeoGriff is thinking more than all this boring small talk
I really, really wonder what Miura’s gonna do with this. Morality-wise I keep mentally comparing Berserk to Watchmen, as another story where the antagonist achieved world peace.
but the thing about Watchmen is that it seemed way more impartial. Like the point was humanity was doomed either way (hence the Ozymandias reference) because peace couldn’t last, but we’re never given a reason to hate Veidt. I feel like you can take his side without the text judging you for that. Or, well, more like it judges you equally no matter whose side you’re on – of the two opposing teams, Veidt killed a city of people with his pragmatism and didn’t accomplish anything lasting, and Rorschach doomed humanity with his idealism and is also a creepy dick in general.
Whereas in Berserk you have Guts the protag who garners a shitload of sympathy and, I suspect at least from Miura’s point of view (nvm mine), never crosses the line into hateable, and Griffith the antag whose defining act as an antagonist was raping the hero’s girlfriend.
Which is why Miura can talk about how NeoGriffith is morally ambiguous and not really a villain all he wants, and I’d really like to believe him because I enjoy those types of stories, but it rings hollow because the audience is practically forced to hate him with the cheapest tactic in the book right off the bat.
And why I wonder if at the end of the day we are going to get some authorial judgement, quite possibly of the ‘fuck utopias, it’s better and more noble/human to struggle against a malevolent universe than be taken care of by a saviour’ variety. I mean there’s been a definite thread of struggling = worthwhile in and of itself, like, look at Jill’s shitty ending lol.
but on the other hand that does feel like selling Berserk short and I’ve so far generally been pretty impressed on how it usually shows multiple justified perspectives of any issue brought up. so it also seems plausible that we will get something more impartial, and the whole femto rape thing was literally just to piss Guts off because Miura is prioritizing the rage and trauma theme over whatever morally ambiguous philosophical religiousy thing he’s going for. So I as a reader am supposed to take it into consideration in the context of why Guts is mad and disregard it in the context of what kind of antagonist NeoGriffith is.
Anyway as far as I’m concerned the only way to reconcile this is to show that NeoGriffith is just as different from Femto as Femto was from human Griffith. Like, I dig my idea that Femto = Griffith minus positive humanity plus evil, and NeoGriffith = Femto minus negative humanity/evil, meaning all that’s left is power and Griffith’s ambition and whatever else Griffith contained that’s basically neutral, and the bug in the system that makes his heart beat for Guts and act to save Casca. Idk how else you’re gonna sell a story about a rapist literally made of evil being a morally ambiguous saviour of humanity. But it could also be that Miura doesn’t feel he needs to do anything more to sell it bc he’s going for a dark and edgy kind of “morally ambiguous”.
man idk i’m just thinking outloud here, this is just casual unfiltered unstructured speculation thrown at the wall so don’t take it too seriously.

i totally misremembered this as apostles fighting each other, but fighting ogres and shit makes more sense

lol everyone remembers guts’ giant ass sword first and foremost
actually to be real, however locus found out about rickert i’d say by his attitude he’s telling him the darksided details about griffith as a test of his potential loyalty


so did griffith tell locus in advance that rickert might show up and to let him know what the deal is with everything
like yo there’s one guy i invited to the party who knew me pretty well before i became a god so catch him up when he gets here and we’ll see how it goes

What could a boy do with a retired war horse, a bundle of throwaway swords and enough rations to feed a small army?
:3c

i’m in an attaching whatever shit i think of while looking at something to the post instead of keeping to the tags mood rn so
this has to come full circle at some point, right? this is one of the most important themes of berserk it can’t just be left dangling with no resolution
so there are 2 ways (imo) for it to come full circle – Guts finally becomes Griffith’s equal (either they’re equalized in some way that makes the whole absolute god incarnate thing irrelevant, eg focusing on emotions rather than power, or Guts becomes a god, or Griffith loses godhood)
or the fact that Griffith is now absolute and therefore totally alone and Guts is achieving his new-found goal of not caring anymore gains significance
i’m expecting the latter tbh. bc i mean like… this can’t just never come up again, how unsatisfying would that be? it’s the driving force behind the wedge between Guts and Griff and was replayed when Guts was seeking revenge after the Eclipse, and there’s no conclusion to that thread yet.

I took a final look at it and whispered, not the berserk tag. Sorry, but I’m not brave enough.
Is this a reimagination of the falling off the cliff before the battle of doldrey scene or post torture arc?
Good question – but now that you mention it omg a reimagining of the whole cliff debacle with Griffith in place of Casca would be amazing. Casca would step up, take command, and own the battlefield. Griffith could have a debilitating fever and share some of his past while his temp is 103 and he’s out of it after like a fever nightmare about the inevitable battle of Doldrey. Guts would get possessively protective the way he does. Casca could show up in the nick of time to save Griffith from passing out and being killed by the enemy while Guts does his 100 man slayer thing (convincing Griffith to leave his side the same way he convinced Casca, ie, you have a dream and also you’re a burden rn so get lost, which I could see Griff either seeing through and brushing off or having a v bad delayed reaction to) – it would just be wall-to-wall Good Shit.


I took a final look at it and whispered, not the berserk tag. Sorry, but I’m not brave enough.
She could feel the sweat dripping down her neck under the occasional press of the warmed metal of her helmet.
It was hot, too hot. She suspected a growing fever as she slowly became hyper aware of the stumbling rhythm of her heart, bringing the pulsating waves of nervous heat with every beat.
She forced herself to keep riding. She’d already fallen behind the vanguard.
As she swept past her men, the sudden realisation of the cause of her distress dawned over her. She looked around herself at the thousands of comrades who’d never have to worry about such a thing before a decisive battle . She suddenly felt small, the chasm she’d been trying to close all these years opening all around her and stranding her in the middle of what she so desperately wanted to be home.
And it was home. It really was. That’s why she fought for it.
That and…
She looked to the front of their lines. Griffith was riding almost exactly in the middle of the line, a few steps ahead of the rest- Back straight and hair blowing loosely in the dusty wind , helmet still clutched against his side.
Casca wondered if she should sit back for this battle. She could already imagine the confused looks her men would exchange, could imagine it slowly giving way to a look of pitying understanding on some faces. Oh woman problems. It made a heavy feeling settle in the pit of her stomach. She didn’t want that but… but this wasn’t just about her, she could be putting others in danger, the Hawks, Griffith’s dream– The heavy feeling turned to lead.
She could imagine that too. There wouldn’t be any admonishing, no stern words, no words at all, simply a look of disappointment or worse understanding. A glancing touch on her shoulder even as he turned to face the one standing next to him-
Casca almost laughed as reality mirrored the image in her mind. She was glad she stopped herself, the sound would have been slightly broken.
Guts had ridden up to Griffith’s side.
Even from the distance, she could sense the smile on Griffith’s face. His tensed shoulders had lowered slightly, body turning- almost leaning into the other man’s presence.
She looked down. Closed her eyes for a long moment.
When she opened them again, she was closer than she had been, they must have slowed down.
Guts was saying something, tapping on his helmet and then pointing at Griffith’s.
Griffith turned his head to answer him and Casca could see the smile now. She felt the corner of her own mouth lift slightly upward in painful mimicry.
She wished she were closer, wished she had stepped up earlier. She remembered wishing the same thing seven years ago when she had held him in the river, feeling the last tremble slowly leave his body as he forced himself to be still.
It still hurt, just in a different way. Maybe the way the pain from an open wound differs from the phantom pain of a lost limb you’ve started to learn to live without.
Griffith twisted his hair upward as he put on the helmet with the other hand, tucking in the mass of curls. A single lock escaped, continuing its lonely dance in the wind. He didn’t seem to notice.
It inexplicably aggravated her.
She spurred her horse forward, knowing in the back of her mind that once she reached her destination, she would have nothing to say. It was really such a silly thing. All of it.
Silly Girl! Where will you run to?
She shook her head, steeling herself. Guts reached out and tugged on the stray lock, not too gently. Griffith jerked slightly, batted his hand away and tucked the hair back inside.
Casca stopped.
She steered her horse sharply to the left, riding to the front of her party.
“FORMATIONS!”
There was a patter of hooves as the men fell back into line. The shout had caused Griffith and Guts to turn back to look at her. She looked resolutely ahead, not meeting their gaze.
Her battle was raging on.
I’ve been wondering Like is there people out there who like…don’t think of Griffith and femto as the same person you know like how some dipshits are like “oh no anakin didn’t slaughter the younglings that was darth Vader darth Vader killed anakin from a certain point of view actually” is there people who think Griffith didn’t rape casca and slaughter the entirety of the band of hawk?
That it was his fucking alter ego countess boochie flagrantetbf unlike anakin griffith literally got an explicitly described evil injection (”a fissure in your heart will open into which evil will surge), a new body created out of the same negativity as the idea of evil, and was explicitly shown losing his capacity to feel as the Band died and he was transforming so like…
yeah i feel it’s pretty well-established canon that femto is different than griffith.
whether you’d say griffith’s dark side + extra evil + new name – ability to feel empathy and other positive emotions = technically a new person or not doesn’t really matter imo, he’s definitely shown to be magically transformed enough physically and mentally for me to be able to draw a pretty solid line between femto and griffith regardless.
I mean they don’t put it down to magic but anakin DOES actually change when he becomes a sith it’s actually shown through out the series that being apart of the dark side does change a person at least physically (I think anyway maybe that was just a theory I read..)
I know there’s a big difference between pre and post eclipse Griffith my main point here is that it was /still/ Griffith who did those things regardless of how much he changed unlike some ppl may say
I used darth Vader as a comparison mainly because I assumed it would be the most well known case
I can actually think of two characters who would probably make a better comparison for numerous reasons but since their from a series of Irish children’s novels I assumed no one would have any idea wtf I was talking about
if that’s the case than fair enough, i’ve only seen the prequels once. i guess he did get yellow eyes somehow come to think of it lol.
I mean I guess this makes this a case of semantics then? As far as I’m concerned once a character goes through a magical fantasy transformation that includes changing the way he thinks it just makes more sense for me to consider them basically different people. If that’s stated somewhere in the movies to be the case between Anakin and Darth Vader and I’ve just forgotten then I’d consider them different too.
to me saying that it was still Griffith who did those things despite changing is like saying Guts tried to slaughter his friends while wearing the berserker armour imo. Sure, it’s technically accurate, but does that mean I should hate Guts because a magical element let the part of him that wants to indiscriminately slaughter innocent people reign free? We’re shown and told in both instances that these magical fantasy processes change the way a character feels and thinks and reacts, the only difference is that Griffith was entirely subsumed by his magic evil alter ego while Guts keeps coming back bc he has a witch and a magic kid on his side. but both Femto and the Berserk armour are manifestations of a character’s dark-side augmented by magic and suppressing their light-side/humanity, so they seem pretty comparable to me.
So what do you mean when you say Griffith still did those things regardless of how much he changed? If you agree that he changed first then we’re pretty much on the same page as far as I can tell. But when that change involves an irreversible physical transformation including new name change and literal “rebirth” as he hatches from an egg, I can understand why lots of people frame that change as a new person.
Like at the core we’re talking about fantasy situations that are not applicable to real life so it really just boils down to what you make of them I guess.
To me, the answer is yes and no. In a sense, Femto is Griffith. But not quite. I’d like to think that both Femto and Neo-Griffith are a part of Griffith that makes Griffith *Griffith* (if that makes sense) and vice versa. After all, whatever Femto and Neo-Griffith did is the result of Griffith’s actions and ambition (and that causality thing when you look at it in bigger perspective). It’s like, faces—masks. The best comparison I can think of is how ancient pantheons have many facades of themselves that manifest into different forms altogether. Take Parvati, a Hindu goddess, for example. Shes a benevolent goddess who is known for her nurturing personality, but she can turn into Durga, the Goddess of death and destruction when she is consumed by dark wrath (which is why she is associated with Guts by Dhaiva in the manga). Is she still the same Goddess? Well, yes and no. And I think that kinda answer is also fitting when talking about whether Griffith/Femto is the same person/creature or not. Especially given his current godlike status IMHO.
I love this goddess comparison! Makes perfect sense to me.
And yeah I pretty much agree with you – imo Femto is Griffith’s dark side stripped of all… positivity and light, yk, and given god-like power.
So Griffith always contained Femto within him but mediated and restrained by humanity and his own conscience and love and guilt etc etc. And according to the world of Berserk this is pretty much true of everyone – everyone’s got their inner darkness. The fantasy world magic just allows it to come out and overwhelm everything else.
Guts has his hellhound which is explicitly compared to Femto in one chapter while he’s being taunted by demons, apostles become apostles by giving themselves over to their dark sides, etc.
eta: anyway yeah tl;dr to sum up I don’t think I or anyone really considers Femto an entirely separate person, like the godhand just killed Griffith and replaced him with someone entirely different and totally unrelated. I think it just comes down to what you think constitutes “a different person” in a fantasy world where rebirth is a feature.
Oh wow . The mention of Parvati and Durga kind of reminded me of
a couple of other things in Hindu mythology which may make decent parallels.Also one slight correction maybe, I might be wrong- it’s been a
long time since I last heard these stories but Durga isn’t the goddess of Death
and Destruction, that would be Kali. Durga is the Goddess of Strength and
Righteous Fury.All of them are what we call ‘avatar’s of Parvati. And
there’s a total of Twelve of them. And each is undoubtedly the same deity but
also noticeably different. The basic train of thought therein is that we
require different weapons and personas to win different battles. Some can be
won by care and nurturing, some can be won by educating, some can be won by
battling and some evil is so great that one must be forced to destroy
everything known to you- both loved and hated and once again create it all
anew.( Basically what Goddess Kali stands for. Kali also literally translates
to ‘the dark one’ )And idk but now I think of it this may be relevant to some
aspects of even Golden age Griffith? And the theme of Destruction before
creation may relate a little bit to the Eclipse.Oh and also so basically the avatars of Vishnu are fascinating
from the Idea of Evil perspective.So there’s 9 of them one for every age. And each avatar adapts
to what is the desire and need of the living beings and humanity in the age in
which they take divine birth as messiah. The first Avatar was a Merman as most
of the living world was then underwater, other were kings, warriors, holy men
basically whatever was the desire of humanity from the Gods. and that sounds a
little like the whole ‘created from HUmanities desire’ thing happening
about now in the series.Also side note: the ninth avatar hasn’t taken Birth yet so it’s
like a little bit of hopeful folklore passed down to kids. So if things ever
get real bad in the future, there’s a messiah whose already scheduled to come
around. Also it’s really cool how ancient pictures draw mystery guy with
futuristic looking armour.Ok I’m totally getting carried away here but one last thing.
The concept of duality is pretty prevalent in Hindu scriptures.
Good and Evil are two sides of the same coin. The God’s Create and Destroy,
They bring joy and suffering. The Gods can be petty and selfish and the demons
be virtuous and devoted. Masculine and feminine are maleable. One arises from
the other. There’s plenty of mythological characters who change their sex and
gender.And the heroes of the Epics are always fatally, frustratingly
flawed.And it;s all very Berserkian to me on some levels.
I am so sorry I got really really carried away here. Most of
this isn’t relevant.Oh except
Kali totally was pulled out of her ‘Eclipse mode’ when she accidentally
stepped on her Husband,Shiva who had purposely decided to lie down in the path
of her destructive rampage. And she went from- “Kill kill kill kill kill kill...” to“OMG Honey, I’m so sorry, are you OKay?”
And Shiva’s like. “Yeah. Let’s just go home babe.”
And they calmly walk away leaving the other Gods to clean up the
mess.Oooh right!! She is Kali or Mahakali when she is in that mode. But Kali is also another aspect of Durga if I’m not mistaken, Parvati became Durga when she had to defeat the demon Durg, activating this avatar. Thanks for the correction and adding more interesting points to the discussion!! Ikr, I always thought that Berserkian universe follows a lot of fascinating aspects from actual mythology in our world, I love it
Yeah in a way Parvati is the base model and Durga, Kali, Sherawali etc. Are all like battle upgraded versions. 🙂
Yeah I agree. I like the allusions to and subversions of real life mythology in Berserk.
Farnese won’t let go of lil Casca 😢💕
I can’t believe people think Farnese would use the behelit smh
#seriously?#you
seriously think the lowest point in her life is a guy rejecting her for
the woman that inspired her to become a better person?#maybe if Casca rejected her but not for Guts
I hope absolutely no one expected my modern day gangster au to be about actual gangsters because all you’re getting is griffith/guts and sensual bullying.

I imagine Guts and Griffith going out and actually trying to buy an assasination worthy hood or something.
And Guts picking up this feathered contraption and being “It’s this or nothing.”
Griffith thinks it’s hideous and impractical but agrees because Guts has this very rare look of childish glee on his face and he aint gonna get in the way of that.
Thankyou. For taking out the time and commit to this mental excercise.

@mastermistressofdesire said:
I kinda second the ending with both of them dead at the end. Nothing else would be quite as fitting.ikr there’s something so satisfying to me about the idea. maybe bc they have this whole fated enemies vibe.
Grand fated tragedy is one of the things which makes Berserk so tantalizing to me. I mean to be completely honest I was pretty dissapointed to hear Kentaro Miura’s little quip about not wanting to end Berserk as a complete tragedy because that’s kind of what we’ve been on board for, for a very long time.
I want an ending which wrecks me, gives me that sinking feeling in the pit of my stomach and yet feels completely intellectually satisfying. The kind of thing which leaves behind a little bit of a void which you then seek desperately to fill with your thoughts and others’.
I want none of that happily ever after, riding off into the sunset to raise his child with Casca bullshit. Like no.
That’s not an ending I mind in itself. I mean I love happily ever afters too. But not in Berserk. Here it would simply be disappointing. On so many levels.
I don’t want to leave this series with an “Aww. That’s cute, I guess” feeling. Because that’s honestly too freaking mediocre to be anywhere near satisfying.
As to why both need to die together.
A) Sheer poetry.
B) As long as Griffith is alive, Berserk can not have a conclusion. It can end yes but not with any level of satisfaction or closure.
C) If Griffith dies and Guts lives— a. Guts is doomed to more of an eternity pining after Griffith, which he’s already been doing for the last 30 volumes and would be no conclusion
b. Guts loses all motivation for existing, has nothing pushing him onward and has an emotional cave in, again kind of a terrible conclusion.
c. Guts gets over Griffith and resolves to spend the rest of his life being the perfect family man with all his new—Hahahahahahahhha. AS IF.
P.S.- Casca should definitely not die. She’s been absent from the narrative too long to justify bringing her back just to kill her off or take away her voice again.
i just want to second like, all of this
i could see griffith living as a satisfying conclusion depending on how it’s framed – like say a final image of neogriff visually isolated and alone (esp if he still rules the world or w/e) if we learn that he really is still emotionally fucked up over guts – but I still think the most satisfying to me is both dead.
and yeah casca dying would just be… redundant and bad, not even touching on the misogyny. It’s not even that she deserves a nice life, it’s that after everything w/ her character being destroyed I think the most satisfying conclusion for her is a hopeful future.
and tbh i think no matter what i’d prefer if guts dies. after all this business with him being “the struggler” and defying death all his life over and over i think his death could be really powerful and meaningful. being born from a corpse and then defying fate trying to kill you and then living a chill happy family life for 50 years and dying of old age just doesn’t keep that epic vibe going.
@madchen said:
guts is gonna “wield his sword” for griffith… yup
you can’t tell me this isn’t purposeful like come on. surely there are other ways to majestically hold a sword

@madchen said:
love the close ups of
guts eyes and his grip tightening on his swords handle while griff is
disassociating during the whole thing
ifkr. gotta love all those swords held at crotch-height in significant emotional moments
berserk fans grab your lack of reading comprehension
yeeeeah i can’t read it without wincing the whole time lol. it’s one of two scenes where i prefer the film version, which is also awkward as all hell but less skeevily portrayed and somehow even gayer
unless you mean bc it’s tragic in which case… also fair
Britney Spears on Sabrina the Teenage Witch
This was actually what I took away from the fountain speech between Charlotte and Griffith the first time I watched it. Honestly the ‘Omg he’s such an asshole for not considering them friends’ was new to me until I saw others talking about it.
I once remember saying I can make everything about Berserk.
@bthump I remember you once saying something similar.
i love that this is on a britney spears gifset lmao, your talent for making anything about Berserk is impressive.
but yeah strong agree, like, Griffith doesn’t call them friends but they don’t treat him like a friend, they treat him like a leader and figurehead. even guts does when it comes down to it.
the scene between Guts and Griffith that comes right before the Promrose Hall speech was Griffith asking Guts to assassinate Julius for him, which I find really telling. Griffith words it carefully, very pointedly not giving him an order but simply making it a request – it was Griffith treating Guts like an equal and friend and co-conspirator. And Guts’ response was, “just order me to do it.”
Which yk makes sense and is a perfectly reasonable and kind of amusing and dry response, but it’s another thing Griffith could and probably did take as a mild rejection (especially if he’s looking back on their relationship after everything goes south). It was easily interpretable as Guts saying “I’m doing this because I’m your soldier, not for you.”
ikr, their internal monologues slay me every time
If Griff won without killing Guts or permanently maiming him I think the tragedy would be subtle and quiet but there.
Guts would give up his attempt to be Griffith’s equal. I think on one level he’d actually still be glad that Griffith fought to keep him, but he would stop thinking of himself as a potential friend and equal, and start thinking of himself as truly lesser. Consequently he would grow distant. He might feel restless and stuck since now he’s made the choice to leave the Band once and been unable to. At any rate, he and Griffith would absolutely lose their camraderie.
Guts would no longer be the person who treats Griffith irreverently, disobeys orders, has waterfights, etc. Griffith would be up on a pedestal now, totally unreachable, and that would be reflected in Guts’ attitude towards him. He’d still admire him (though he’d probably still feel some resentment too), but he’d treat him like a leader and figurehead, not a person anymore.
Good ending: Griffith eventually breaks, does stuff like… idk starts pushing Guts’ boundaries, gives him more commands that keep him close (promotion to bodyguard?), tries to force conversation etc, eventually Guts feels backed into a corner and they have a confrontation and finally manage to talk and grow.
OR Griffith does something stupid and irrational for him again and Guts finally manages to have an uninterrupted conversation with him about it.
Bad ending: Griffith lets the distance grow, resigns himself to it, throws himself into political machinations, loses touch with the Band in general now that he’s among nobility, maintains only a working relationship with his former Hawk commanders, gets everything he thought he wanted and ends up miserable without knowing why.
If Griffith just killed Guts then I think, if I had to settle on one outcome, he’d suppress his emotions harder than he’s ever suppressed anything before, continue on like normal, grow distant from the Band who would probably be pretty disturbed by this reaction, marry Charlotte, and one day have a complete breakdown.
I’m kind of into the idea of Griffith achieving his dream at a cost he can’t bear ngl.
GriffGuts Expectations.
Griffith: *sensually cupping face*
Guts: Uh…What are you doing?
GriffGuts Reality.
Griffith: We should attack from the side to keep the Enemy distracted so that we can ride through the flanks with the main company…
Guts: *Internally screaming* SENPAI NOTICE ME. SENPAI NOTICE ME. SENPAI NOTICE ME. SENPAI NOTICE ME….