What do you think of the castlevania producer wanting to adapt berserk into a new anime comicbook(.)com/anime/2018/11/17/castlevania-anime-adi-shankar-berserk-manga-adaptation-how/

tbh i’ve only seen season 1 of castlevania and based on that I am pretty neutral in that I think this dude is perfectly competent but I have no idea what aspects of the story he’d choose to emphasize or what demographic he’d cater to most etc, so I can’t really yay or nay this hypothetical adaption.

I heard season 2 is good and features more interesting characters and complexity and I have plans to watch it soonish so maybe I’ll have a better opinion then.

Though actually just on principle it would be nice to have a full adaptation of Berserk that doesn’t omit important Griffith scenes and that’s all in the same animation style, and includes the Black Swordsman arc, just for vidding purposes lol.

Godhand using Griffith’s child self to make the sacrifice and not his adult self is very telling.

Yeah. I mean to be nitpicky I think that whole vision before the sacrifice was Griffith’s own like, perception of himself that the Godhand utilized, not exaclty something they created themselves, but regardless either way I definitely agree, it’s v telling.

Like, idk it seems so perfectly illustrative of Griffith’s… like, mindset. Towards his dream and Guts too even. Like, it belies how calculated he can be, because underneath all that he’s ultimately motivated by feeling like being an overwhelmed kid on a pile of corpses, and that’s the feeling underlying the sacrifice. It adds a certain undertone of innocence to the scene that’s just so fitting imo.

Since I count on you to analyze and explain everything I’ll ask for your insight on Femto because this is something that I can never fully understand…why the purple ass lipstick and smooth ass cat eye? Really I was so shook about his emergence until I saw him upclose and I couldn’t take it seriously with those heart shaped muscles on his inflated rubber suit and his face. Why not throw in some bronzer, blusher, and Jeffree Star’s liquid frost highligher while they’re at it lol

i mean ik you’re joking but you’re basically saying it here, it’s p much just gay coding 101. make your male villains effeminate, especially in contrast to your hypermasculine protagonist.

(I feel like this answer could be a lot longer and more complex getting into like japanese vs hollywood stereotypes in media, miura’s stated influences, the context of the sexual text and subtext of the eclipse, etc, but yk that’s hard and this is my way of acknowledging that my answer is overly simplistic without writing a researched essay in response to a joke ask lol)

sorry for the radio silence for the last couple weeks, life has been life and i just haven’t had the like, initiative to post much recently lol

on the plus side i have now gone through my blog and tagged all my meta posts by subject

Idk if you’ve been asked this before, but do you think there’s any way Miura could fit Theresia back into the story? I liked her character but I know Miura most likely won’t bring her back :/

I think it’s possible for sure, though if we do see her again my money’s on it being more of a cameo than a super relevant plot point (tho a more central role would be amazing). But especially if there’s an Elfhelm time skip it seems like there’d be plenty of room for her to show up again in the future as a Black Swordsman-esque revenge-driven adult. Maybe as a contrast to Guts’ current self, or maybe, if he’s gone darker in the interrim, as a more direct parallel/comparison. At least I know I’d love that.

Honestly Theresia is one of my favourite minor characters ngl, and I love how she’s paralleled to Guts with her refusal to die despite being suicidal, and her vow of revenge. I want to see how that experience w/ Guts affected her and what she’s like as an adult and it would be a shame if we never saw that.

Guts and Griffith at Halloween Horror Nights at Universal lol

lol i know nothing about this but looking it up and there seem to be a lot of themed mazes full of actors in makeup and prosthetics. so now i’m imagining guts and griffith both badly trying to pretend to be scared so they can cling to their strong brave bf when someone leaps out at them with a chainsaw.

or griffith immediately getting into role playing in a zombie apocalypse and guts reluctantly starting to have fun with it too

elaborate tho if you want bc idk enough about this event to say anything particularly good lol. like which attractions do you think they’d like best?

oo any thoughts to what the characters (just anyone you’d like) would be doing on halloween, like in a modern au?

Guts, either pre-Hawks or post-Eclipse: sitting alone in his house with the lights off so no one comes to the door

Current Guts: moping but his outdoor lights are on and he has a bowl of candy by the door.

Golden Age Guts: at Griffith’s house party wearing a costume that
matches Griffith’s, spending most of the night denying that they’re a
couple whenever anyone gushes over their cute couples costume. but those
denials get more tentative and uncertain as the night goes on and he starts to wish he wasn’t denying it. (I couldn’t think of a good matching costume idea but after seeing that last ask i want to go with angel and demon costumes tbh.)
Also Guts has been there all day helping Griffith decorate. 

Golden Age Griffith: throwing a house party, taking great care in dressing himself and Guts up right before everyone starts showing up so they look perfect together, not exactly spending the whole night at Guts’ side but they keep ending up together, side by side on the couch or leaning against the wall observing people, or heading out for fresh air together.

The party goes til 3 am, and Guts and Griffith are the last ones up, drunk and cuddling on the couch together watching some horror movie on tv. Griffith rests his head against Guts’ shoulder and Guts is like, fuck it and impulsively leans down to kiss him. They end up making out for a while before passing out on top of each other.

Meanwhile Casca has met… let’s stick with Golden Age characters and go with Charlotte this time. Casca’s dressed as a pirate and Charlotte is a princess and Casca ends up say… rescuing Charlotte from a boring conversation. They end up in the kitchen getting drinks together and talking. Charlotte only just met Griffith recently and doesn’t really know anyone and is shy and awkward, Casca takes it upon herself to keep her company because Griffith and Guts are wrapped up in each other and she’s not in the mood to hang out with Corkus or Judeau all night. Eventually they ditch the party early to go walking around the neighbourhood, and find themselves sitting on swings at a playground together at 11pm, just talking about whatever. Maybe they go to Casca’s place and hook up or maybe they start a slower thing, either way.

NeoGriffith: throwing a joint house party with his platonic bff + roommate Charlotte, but Charlotte seems to be the main host and people only see Griffith around for the first hour or two. Locus and Grunbeld showed up early with extra booze in case they needed help setting up (they didn’t), and have a good time just chilling. Raksas is dressed as the scream ghostface, Irvine doesn’t show, and Zodd’s just there for the beer. Owen and Laban put in an appearance towards the end of the night, showing up between parties. Everyone leaves at a reasonable time, either to go home or to go to a wilder party. Anna and Charlotte are gfs and they stay up together to finish off the food and a few more drinks, then have great sex.

Griffith has spent the night watching the movie from that first golden age party, crying, and telling himself not to call Guts while scrolling through his facebook page hoping he doesn’t see pictures of him having fun at another party.

These scenarios can’t really be in continuity with each other bc Casca and Charlotte (or idk maybe there’s a convoluted modern au scenario that makes it work) but Griffith and Guts still first hooked up on halloween, just bc.

madchen
replied to your post “madchen
replied to your post “do you have any horror-ish…”

it’s hard to think of horror movie aus where there’s a good partnership which is why the conjuring is fun. if you’re devout enough i think someone could have fun with like an IT au. given how full of childhood trauma and repression berserk actually is.

oh man IT would work way too well. but yeah horror movies w/ fun partnerships aren’t common, i’ll keep the conjuring in mind next time i’m feeling like a horror movie tbh, it looks p fun.

hellraiser might be a good fit, tho honestly i’ve never actually seen it lol, i just know the aesthetic suits the godhand and you open portals to other dimensions through puzzle boxes and turn into bdsmy demons or smthn. but yeah i can’t think of any with good character dynamics for griffguts, just like aesthetics and tones to steal lol.

do you have any horror-ish berserk/griffguts scenarios that you like? (watching netflix castlevania has got me thinking about a berserk au, but i also like the idea of au with vampire hunter guts and vampire griffith in general. or an au of the tale of bisclavret where griffith is the king and guts the werewolf. also for some twisted reason i’m obsessed with this fanart you rb’ed time ago and the potential scenario behind it lol: bthump(.)tumblr(.)com/post/160121437199/coolfreeringtones)

i love that art lol, there’s something so much fun in the idea of Griffith killing Guts and then just losing it and keeping his corpse around and surrounding himself with images of him.

also damn i love that gay werewolf story, and it seems v fitting. you don’t even necessarily have to go au to get something griffgutsy that’s inspired by it, if you don’t mind going like extra dark lol – say guts going full beast of darkness for a while, having killed his rpg group, and in a confrontation with neogriffith ngriff keeps him instead of killing him and the beast of darkness is yk, torn enough between love and hate that for a while longing and that sense of connection are enough to keep him ‘tame.’ And maybe eventually return his fully human consciousness.

i haven’t watched season 2 yet so idk about Castlevania specifically, but vampire aus are always solid. band of the hawk au idea? Griffith as a vampire who turns volunteers, until he meets vampire hunter Guts who’s trying to kill him, and can’t resist turning him instead of killing him when they fight.

hmm and right now i’m thinking about ways to make the canon fit a more traditionally halloween-y horror vibe. Like a sad ghost story – say, Guts keeps seeing images of human Griffith during his 2-3 years blackswordsmaning before NGriff’s resurrection, and he can’t tell whether he’s losing his mind or whether it’s some residual spiritual aspect of whatever human part of him got destroyed when he became Femto, or the ghosts that haunt him fucking with him.

or i know in one of the video games there’s an apostle that creates illusions. considering all the weird and varied magic powers apostles have there’s a lot of potential there in general. an apostle that can mess with people’s minds would make a good haunted… area story, wherever it happens to live. there was kind of a haunted house vibe in the video game i think. But yk like, sending people creepy visions, or visions of their personal worst fears, either to drive them away or just to fuck with them before they get eaten. Guts could get illusions of himself turning on his friends, or corpses of the old Band haunting him, and ofc Griffith maybe being alternately threatening and vulnerable and seductive, embodying Guts’ mixed feelings.

Like I’m kind of into the idea of Guts stepping into an apostle’s territory, seeing a vision of Griffith who appears and disappears, whispers in his ear and makes him jump and futilely swing at him, taunts him, brushes an insubstantial finger over his brand. maybe sometimes appears as a savaged corpse like how he’d look if the beast of darkness tore him apart, or femto, or post-torture Griffith, etc. That would be a lot of fun to play around with tbh.

and to go more actual like, monster au, i’m kind of partial to griffith as a siren. maybe with glamour, so he looks beautiful but underneath he’s got more of a monstrous bird thing going on. i mean that’s neogriffith and femto right there. and i can’t not associate guts with werewolves, that’s just obvious. So either of those would make a decent monster AU (both might be overkill lol). Siren Griffith who entrances people into following him, whether purposefully or not, and finds himself enthralled in turn by Guts. Or werewolf Guts who joins Griffith and fights for him, loyal and devoted and violent and bloodthirsty, and strikes fear into his enemies lol.

idk that’s about all i got for now. but if anyone else has any good horror ideas plz add to this. it’s halloween after all.

what are the things you like and dislike about the ’97 anime and the films?

freewilllife:

bthump:

ty for asking, i’m just gonna write a few long lists lol

Keep reading

It´s interesting that you liked the movies…I prefer the anime every time. There is more flesh to the bone, while Griffith seems to be a cold-hearted guy in the movies…Also their relationship ( between Guts and Griffith) isn´t explored so nicely.

That is why I disliked the movies immensely.

i prefer the anime overall too for sure, but i can still enjoy the movies despite their massive failings lol. my expectations are already p low for any berserk adaptation i guess, especially a film adaptation which by necessity is always going to have to cut stuff, which makes it easier to enjoy the positive aspects.

Do you ever think about how miura pulled the magic healing cock trope but with pussy lol? Like guts had sex with casca once and his csa trauma disappeared just like that

yeah that is such a huge issue i have with like, everything post eclipse.

i mean i feel like, idk there are a few moments that suggest that rather than just fixing guts’ trauma and then immediately replacing it with eclipse trauma, it’s more that the eclipse echoed his childhood trauma and compounded it. i feel like that might’ve been miura’s intent even. eg:

image
image

And it absolutely was his clear intent during the Black Swordsman arc. But I feel like Miura let this just kind of, like, fall to the wayside, and totally failed to follow through on this idea through actual characterization, instead deciding to completely downplay Guts’ actual personal trauma.

Like there are so many moments that by rights should’ve referenced Guts’ csa trauma that glaringly ignored it. A big one I’m thinking of is when Guts assaults Casca. Like come on, he had a violent flashback during consensual sex with her and you’re telling me it’s not even on his mind after nearly raping her? Or maybe yk at some point during that arc right after the Eclipse that was all about child abuse and Guts becoming a monster. Or maybe during the actual Eclipse itself. At least show us that paralyzing fear that was strongly implied during the Black Swordsman arc instead of boring one dimensional outrage.

So yeah basically idk, I p much agree. It sucks.

morgiah:

I’ve been wanting to write my own analysis of Locus for a
while, but I figured I’d wait for the guidebook to come out and potentially
give me interesting new info on him. Now, since one of those has happened, I
might as well make the post!

My goal is to highlight a great character that gets
overlooked and misinterpreted a lot, understandably since Berserk has so many characters, but also because people tend to be biased against the ones on Griffith’s side and simplify them.

This will touch on guidebook content only

for

a bit, specifically
my problems with it, then go right back to the manga for an overview of Locus’
scenes and context for my interpretation of him. Since it’s very text and image
heavy, it’s going under a cut. Enjoy, and feel free to add stuff, as I’m always open to discussion!

Keep reading

like i said b4 i love all of this, but in particular the way you talked about the apostles and their relationship to griffith was super like, intriguing and sad. it makes me wish we saw other apostles join ganeshka in rebelling.

and like describing locus as kind of rationalizing that demon instinct to himself. like he’s maybe one of the lucky ones because due to his ideals he would’ve joined griffith anyway, but it’s still kind of quietly messed up that he doesn’t really get a choice.

and even ganeshka at the end got that pre-death moment of fulfillment when griffith came to kill him.

and also while it is a literal like instinctive, irresistable attraction that affects the apostles deeply, it’s also a symbol of human connection in general, i’d say. well, love. It’s an echo of Guts and Griffith’s relationship, a lot of that torch in the darkness stuff in the conviction arc leads into it. it’s another example of yk that whole true light, people shining in other people’s eyes stuff we get a lot of. and now you’ve got me thinking about possible implications and stuff lol. people embracing that feeling, rebelling against it, changing their lives because of it, destroying their lives, wanting to better themselves and live up to that feeling or wanting to escape it entirely, etc, and how that could be echoed in the apostles.

Idk like now I really want to see more apostle variety in how they respond to griffith in particular.

also from this angle it’s extra fitting that the new band of the hawk is made up of apostles.

what are the things you like and dislike about the ’97 anime and the films?

ty for asking, i’m just gonna write a few long lists lol

97 anime likes:

  • the animation, including the like, yk the more detailed stills they pan over in place of action or to punctuate important moments, i love it
  • the gorgeous backgrounds
  • most of the colour choices. red eclipse, femto’s blue eyes, casca’s skintone, griffith’s mauve clothes, etc.
  • how close it is to the manga. like, it’s a solid adaption just by virtue of making very few changes.
  • so like, most of it really, because i like the manga
  • special mention to the entire lead up to the eclipse from griffith’s reality break to the sacrifice tho, because i think that was all pretty damn perfect. it’s the most important scene and they did it right.
  • actually also shout out to casca’s flashback to griffith and the dead kid, gennon, the river scene, all that. another difficult v emotional sequence that they nailed imo.
  • griffith thinking about how he “loves” guts during the monologue
  • skipped most of the griffith/charlotte sex scene iirc which i approve of
  • the glimpse of black swordsman guts in ep 1. it’s not perfect but it’s way better than the ovas starting w/ 15 yr old guts
  • the opening and closing themes. fucking love both songs ngl
  • also the opening monologue. never get tired of hearing it
  • the score
  • the portrayal of griffith was honestly pretty solid imo. i have very few issues there. and lbr that’s important lol

97 anime dislikes:

  • not a big fan of griffith or guts’ character designs.
  • just about everything that isn’t identical to the manga is a change for the worse
  • turned griffith’s scratch marks into that giant unexplained scar
  • adding extra scenes where casca is secretly impressed with guts’ skills in battle in an attempt to build up their relationship better, which instead just made casca look unfair for still being a dick to him for 3 years and made guts stupidly gary stu-ish
  • obviously the straightforwardly romantic portrayal of guts and casca’s relationship
  • through several seemingly minor changes (eg, skipping guts’ night of self-doubt after he leaves, giving guts’ stay with godo its own half-episode, making guts inviting casca along super romantic rather than the incredibly casual and assholish way he does it in the manga, etc) it makes Guts’ dream seem legitimately noble and worthwhile, with none of the like… implicit critique the manga has. like honestly it completely fucks up what i consider one of the central themes of the story lol
  • the pre eclipse stuff also fails to sell guts’ sense of regret – through things like playing guts’ theme while judeau is telling guts to leave, not repeating guts’ statement of regret after casca tells him to leave again, the tone remains consistently in favour of guts’ dream. wrong and bad.
  • like it really reads like the suggested tragedy is that guts doesn’t get the chance to ditch griffith with judeau and take off with casca and the raiders lol
  • also fucks it up by never directly mentioning guts’ csa trauma
  • also fucks it up by losing guts’ self-destructive single-minded urge to fight monsters that we saw thru the wyald stuff. i’m not gonna say that losing wyald was a bad decision, but they should’ve at least moved erika suggesting that guts just wants to fight zodd again to the fucking waterfall scene in question, which they portrayed completely sans zodd discussion, completely sans implication of the self-destructiveness of guts’ dream
  • like in the manga he nearly gets killed by the falling logs and just laughs it off like a dumbass while erika is concerned and suggests that guts is driven by something irrational and not actually a ~noble~ dream, ie, wanting to fight zodd again (ie, going deeper, his csa trauma), while in the anime we get a 2nd scene where he successfully slices through the logs as a super basic symbol of growth and a narrative pat on guts’ back that shouldn’t be there!
  • honestly just fucking everything about the portrayal of guts’ dream lol it just takes it at face value in a way the manga consistently never did and always undermined and critiqued, and it bugs the hell out of me.
  • guts is just drawn in a way that makes him look angry way too often and he often feels ooc to me bc of it. like he lacks a lot of the warmth he has in the manga imo
  • showing that griffith is awake when guts says “i’ll stay too” even tho in the manga those words are placed over a panel of him asleep for a reason like, ffs
  • lots of other random nitpicky details that only i give a fuck about because my opinions and feelings about the story are too strong lol. like not showing griffith’s face when he asks if guts thinks he’s cruel
  • oh huge one: moving the scene where the torturer rips off griffith’s behelit from about a day after he was imprisoned to right before his rescue. completely trivializes griffith’s torture because it still looks like he’s been in there for a day at most
  • why on earth did it end where it ended????????????? who’s bright idea was that? the perfect ending is skull knight riding tf out with guts and casca and femto not killing them, but then they also cut out skull knight’s first appearance so idfk man.
  • oh some downplaying of griffguts, like i can’t complain too much about this because it was still p homoerotic, but things like omitting guts assuming griffith wants to fuck him right before their first duel. boo.

ultimately at the end of the day as much as i do genuinely like the anime, it’s not telling quite the same story the manga was – the story it’s telling is more boring and basic. but because it sticks so close to the manga the good story still shines through? it just means there’s inconsistent tone choices and stuff, like the aforementioned grievances.

it’s like, they kept casca’s diatribe at guts line for line while she’s screaming that griffith needed him and a man can’t live on dreams alone, but they don’t extend that train of thought to guts going off to pursue his dream, while the manga does.

anyway despite that giant list of dislikes i still think the anime is pretty fantastic overall. i just also like, blame it for a lot of wrong fandom takes lol.

movie likes:

  • character designs! honestly imo everyone looked pretty great.
  • they played up the homoeroticism and i appreciate that
  • illustrating griffith being torn between guts and his dream through that lovely moment when he catches guts when he nearly falls off the stairs right before he catches charlotte, and in a more romantically suggestive way
  • the whole scene where griffith shows up at charlotte’s window thoroughly improved on the manga, so hats off there. loved how completely out of it he was to the point where he barely realized where he was and immediately turned to leave when charlotte was like ‘woah dude wtf,’ love that charlotte was the one to ask him to stay and then physically move his hand back to her tit, love how emphatically griffith was thinking about guts during that sex scene, etc. like it’s still not perfect, but it is a vast improvement.
  • griffith showing up in person after the hundred man fight was a nice touch
  • it was cool that they got a lot of the same english vas from the anime dub back, and they all did a gr8 job. like it’s a pretty good dub imo.
  • i liked that they moved ‘the crystalization of your last tear shed’ to after guts’ post-eclipse breakdown
  • compared to the anime at least gtsca was more low-key and chill rather than dramatically romantic. still don’t want it there, and still not as… unromantic as the manga, but i’ll take what i can get
  • the animation during griffith’s transformation into femto, yk that whole sequence, was cool
  • slan’s english voice was super sexy
  • ummmmm i feel like they conveyed the whole dreams are stupid theme, and guts’ decision to leave being a mistake, better than the anime? like i got the sense that the ova ppl recognized that was a theme, at least. i’d have to watch them again to really be sure of that tho

movie dislikes:

  • GRIFFITH’S. NARRATIVE.
  • like holy fuck they completely destroyed his character lmao
  • i cannot believe
  • no backstory! no tombstone of flame! no ‘do you think i’m cruel?’ THAT WAS THE REASON HE MADE THE SACRIFICE FFS HOW DO YOU SKIP IT????
  • no dead kid angst, gennon only in vague implication, no self harm – oh no wait we saw self inflicted scratches, they were just completely contextless and meaningless to the point where we could assume charlotte’s nails made them
  • no torture chamber monologue
  • no guts monologue in the tavern either for that matter
  • no rooftop scene
  • again barely the implication of guts’ childhood trauma, both the sexual abuse and the general parental abuse. one vague flashbacky nightmare doesn’t cut it, it’s the cornerstone of the story
  • like i get it, it’s a movie trilogy, you have to cut some things, but goddamn, cut out gtsca. trim the hundred man fight. add 20 minutes to the first ova and take the insanely long rape scene out of the third. trim down the whole eclipse sequence. don’t cut out like… the story. like they cut out SO MANY emotionally relevant scenes and kept so many much less relevant scenes, idek.
  • and like let’s be real here, they turned griffith from an immensely interesting and complex character into a 1 dimensional dude who is torn between a vaguely evil ambition and being in vaguely evil love with guts, just for the sake of streamlining the least interesting aspects of the story
  • they don’t even try to pretend otherwise lol, look at his fucking hilarious evil smile here
image
  • also while i’m looking at it, in general i think they failed at the whole eclipse sequence. looks, lighting, colour, build up of tension… there are a few minor improvements here and there (eg casca’s point of view shot of femto, femto telekinesising guts back a la the black swordsman arc which emphasizes his failure to act when he escapes), but overall it doesn’t work for me at all. like imo the anime has the exact same highs and lows as the manga, but while the ova avoids some lows it never reaches those highs.
  • they also had griffith overhear guts saying he wants to stay. i really don’t get why this happened twice lol, like… ok his face is kind of shadowed here but he’s still very clearly asleep? this is an important detail, guts’ interrupted words are even on that very panel, so why would you go out of your way to show that he’s awake and listening at that point.
image
  • the pacing sucked. 3rd movie was too long, 1st was too short, and they skipped waaaaaay too many significant scenes that should’ve been there as emotional beats
  • honestly the movies are pretty, they’re nicely fanservicey in ways, they capture some good subtleties and nuances at times, but they’re a husk of the story
  • oh did i mention the music during the eclipse rape? incredible.

also i am actually generally positive about the movies too despite what it seems like here lmao. i’ve watched them all like, 3 or more times and i find them v enjoyable.

i just have a way easier time listing nitpicky flaws than positives honestly. the flaws stand out to me, the virtues pass me by because i’m just enjoying them and not dwelling on them

and lbr here at the end of the day no adaption will ever really satisfy me unless i somehow find several million dollars lying around and make my own lol. and that would probably be a flop anyway.

morgiah:

I’ve been wanting to write my own analysis of Locus for a
while, but I figured I’d wait for the guidebook to come out and potentially
give me interesting new info on him. Now, since one of those has happened, I
might as well make the post!

My goal is to highlight a great character that gets
overlooked and misinterpreted a lot, understandably since Berserk has so many characters, but also because people tend to be biased against the ones on Griffith’s side and simplify them.

This will touch on guidebook content only

for

a bit, specifically
my problems with it, then go right back to the manga for an overview of Locus’
scenes and context for my interpretation of him. Since it’s very text and image
heavy, it’s going under a cut. Enjoy, and feel free to add stuff, as I’m always open to discussion!

Keep reading

I remember when Casca told Guts to go without her and to abandon her and Griffith. Do you think it is foreshadowing anything?

hmmmmm yeah in a way I’d say so.

image
image

cut to

image

It is kind of an additional little suggestion that Black Swordsman Guts is in fact pursuing his dream, and is still motivated by his desire to be Griffith’s friend and equal, and have his attention on him (in yk kind of a fucked up way Guts doesn’t really acknowledge to himself). He does go off alone to fight stronger and stronger enemies, leaving Casca behind, and in the Lost Children arc especially the risk of Guts becoming a monster himself and joining Griffith again that way comes to the forefront.

image

And in general it fits nicely with the sense that Guts leaving people and doing his own thing is bad shit, and Guts staying with people who need him is positive and good. Casca’s encouragement is misguided, leads to the Eclipse, and ironically fits Guts’ dumb actions post-Eclipse.

So yeah I’d call it forshadowing for Guts leaving Casca behind in the cave to pursue a version of his dream.